Film Journey in the Now

Update on “Return to Hope” (Film) and the “Case of the Missing Blog Author”

Originally Published 12/10/22

Once again, I’ve neglected my commitment to those of you who are regular readers here. In a previous journal entry, I wrote about my intentions to document the making of the “Return to Hope” film in real-time on this blogsite. A few days after setting that intention, I realized that it was non-sustainable with regard to my energies, at least for now. The motivations I had for setting the intentions were sincere, in that I wanted to practice the process I intend to use for future filmmaking upon graduation from Savannah College of Art and Design. To be more specific, the process I intend to use for the “Grand Providentia Projection – A True Story, as Yet Unfolding…”, is directly related to what I was attempting to do here with “Return to Hope”. This post-graduation, master work, will be produced and promoted as a real-time documentary series that follows the progress of creating and installing, major collaborative art projects around the globe. These “Projections” will act as focal points for raising awareness of the conscious connection that exists between all sentient beings on our planet, and furthermore, how that conscious connection might be used to set positive collective intentions to restore and preserve our environment and heal divisions and discord within the human race. As this rolling documentary is being produced, there will also be a fictional version of the same story being filmed simultaneously. Eventually, the two stories will be merged and integrated into one production – a surreal documentary, with elements of both fact and fiction. Over the past fifteen years, I’ve been studying, and living by, many of the philosophical explorations that are the basis for metaphysics and the metaphysics of science, so I am convinced that this film format, the surreal documentary, will be the most powerful way to present the “Grand Providentia Projection – A True Story, as Yet Unfolding…” I must admit that it’s true, this endeavor is an enormous undertaking, but having worked on it for many years now, I know that its potential for realization is eventual, and quite possibly, inevitable.

You might be wondering why I decided that it was non-sustainable for me to document the making of “Return to Hope” here on the blog, as I produce it? The straightforward answer to that question is that I do not have the level of energy required to complete all the necessary tasks with even a modicum of success, therefore I’ve opted to prioritize my efforts, in an effort to accomplish some tasks with greater success. Since the moment that I decided to pursue a graduate degree in film, I’ve bought and learned how to use a digital film camera, conceived of “Return to Hope” and strategized its visual presentation to an audience (the admissions board at SCAD), filmed on location in Hope, RI, Bethlehem, PA and Savannah, GA, and I am currently editing the film in DaVinci Resolve, an editing software that was included with the Blackmagic Design camera that I bought back in April of this year. It sure has been a learning experience for me, but I can tell you with absolute honesty that I am loving the journey so far!

Photo shot on location at the Steel Stacks, Bethlehem, PA. The Steel Stacks is one of the locations where I filmed clips for “Return to Hope” Worthy of note: This pulley wheel is approximately 12′ in diameter and there were about 20-30 of them lined up in a humongous building!

There is another reason that I decided not to continue with the documentation on this blog. I wanted to introduce the final results, all polished and pretty, of “Return to Hope” to you all, once it is completely finished. So far, I’m super pleased with how it’s coming together! If nothing else, it is sure to be visually compelling. And fear not, you won’t have to wait long for the premier of this film, because I need to have it ready for delivery by 2/2/2023. I’ll be publishing it on YouTube as soon as it is delivered to the college. Stay tuned, dear readers, soon you’ll have more to look at than just still images! I promise.

Danger! There’s always someone trying to keep you from going someplace!
My First Short Film Released

The World Premiere of “Return to Hope”!

Originally Published 2/5/23

It was just about a year ago when I decided to take a leap of faith in my creative career by pursuing a graduate degree in film. Before taking this leap, I’d already taken a number of leaps of faith in my personal and professional life. This one felt different, not so scary. I’ve since come to realize that this leap is different than all the other leaps, in that the leaping-off point was duly situated at a more spiritually and emotionally mature elevation. In an earlier leap, in 1996, my wife (then) and I packed up all of our material possessions, loaded the little ones into their car seats and moved our family from Rhode Island to Florida. We made the move so that I could pursue a bachelor’s degree in computer animation. At that time, the computer-generated imagery (CGI) industry was changing the face of live-action film with blockbusters like Jurassic Park (1993) and Terminator 2: Judgement Day (1991). In the computer animated film industry, Toy Story had just been released (1995) and every computer geek and movie making wannabe was signing up at a college or tech-school with high hopes of claiming a seat in one of the major animation studios. Dreaming of jobs at Disney, Pixar or Dreamworks, they were all looking for the best route into the industry. I was, and apparently still am, a movie making wannabe, but back then I had absolutely zero experience with computers, and it had been a long time since I graduated high school in 1981. Fifteen years long, in fact. So, why did I decide to learn computer animation, having had no previous experience with computers? This is how I rationalized the decision – I would attend Ringling, learn computer animation, move the family (again) to California, get a high paying job producing CGI, and then make a lateral move into the model and props/animatronic studio where I really wanted to be. I had been creating hand built ceramic sculpture for more than a decade by 1996 and I could clearly see myself excelling in a movie-monster/sci-fi model shop. When I applied to, and was accepted by, the Ringling School of Art & Design (now Ringling College of Art and Design), I considered it destiny calling out to me personally, and so Pamela and I talked it over, and then we leaped…

Christopher and Victoria, during one of our many visits to the Magic Kingdom in Orlando (1998?). Both of my children were involved with the production of “Return to Hope”. Chris created the original soundtrack and Tori utilized her superior enunciating skills as one of the tree vocalists. Remember, they are adults now, so it’s not like I’m using this photo to exploit the obvious “cuteness factor” they both possess!

It has been more than 22 years since I graduated from RCAD, and I’m now preparing to land on both feet in the graduate program at SCAD.

Without further ado, I present to you, my loyal blog readers and any other wonderful human beings who’ve found themselves reading here, this is my first short film “Return to Hope”! Please subscribe to the YouTube channel and also here on the “Grand Providentia United” blog, to receive updates on the latest happenings on the event horizon. And, one other request, please leave a comment on this post (either positive or negative) once you’ve watched the film. It’s only nine minutes long, so there’s really no excuse not to watch it at least ten times! JK!!!

https://www.youtube.com/watch?v=yiV4jO-B6YU


Click on the link and enjoy!

Film Journey & The Alt Unity

What Have I Done?

Grand Providentia Projections” update – Originally published in September 2022

This is not a question that I’ve posed with any personal angst attached to it. As in, ‘OMG, what have I done?’. No, this is basically a self-inquiring question that I need to externalize the answers to through the act of writing them down. It is a question that I’ll begin to answer today and finish answering, well, maybe never. It may help some readers of this blog to understand what I’ve done mentally, physically and spiritually in the recent past to keep things moving forward. I’ll describe some of the actions I’ve taken, decisions I’ve made, and dreams I’ve conjured to continue moving toward the realization of the grand dream that I’ve been working to manifest for the past fifteen years. To catch some of you up, the grand dream is to bring conscious awareness of, and attract membership to, the Alt Unity. As the Alt Unity grows, through its creative collaborations and collective conscious intentions, the Grand Providentia Projection will be made manifest. And while the Alt Unity is in the process of manifesting the GPP, we will concurrently produce a rolling factual documentary that is focused on our efforts. Simultaneously, we will also be creating a fictional account (past, present and future) that will tell an imaginative, surrealistic story based on our real-world efforts. As each of the storylines unfold, the factual and the fictional will be brought together and united as one, thus creating the ultimate production of “A True Story, as Yet Unfolding…” So, in answer to the question – What have I done? I will tell you what I’ve done, and what I’ve been doing, during the recent months of practicing presence in the moment of now.

Jim Thorpe, PA – Tybee Island, GA

I decided back in January of 2022, to pursue a graduate degree (MFA), majoring in film and television, at the Savannah College of Art & Design in Savannah, GA. Having received my undergraduate degree (BFA), majoring in computer animation, from the Ringling College of Art & Design in Sarasota, FL, I thought that this would be a fitting way to culminate my career in the field of visual arts. After all, much of what I’d learned at Ringling College is directly applicable to the design and production of film projects. Early in the process of applying to SCAD, I realized that I was missing one critical tool that I would need to buy, if I could even hope to be accepted into the program. You see, one of the requirements for the application is a portfolio film reel (maximum ten minutes long). So, I knew I needed to get my hands on a high-quality camera to shoot the portfolio reel. I have to confess that I almost allowed fear to defeat me before I ever got started. I had a very minimal understanding of film cameras at the time, so I was intimidated by them, but then I thought back to when I entered the computer animation program at Ringling, and I remembered having absolutely no experience with computers. Whether it’s a camera, a computer, a calculator or a clock, you can’t expect to understand how to use it until you get some experience by using it. It took me a couple of months to gather the money to get it, but get it, I did. For any camera enthusiasts out there, it’s the Blackmagic Design Pocket Cinema 4K.

The model is considered a good option for beginner filmmakers and students of film, but it is not a professional level camera. Of course, buying the camera was just the beginning. I needed to purchase all sorts of other accessories, like lenses, tripods, lavalier microphones, camera bags and digital storage devices. During the six months following my decision to return to school, I was intently focused on making the logistical arrangements to move from Allentown, PA to Savannah GA, but I was also starting production on the portfolio film that I needed for SCAD. Before moving south, I made a trip north to Hope, Rhode Island, to shoot my very first film clips for the portfolio film which I titled “Return to Hope” when it is was completed. The film features the Hope Mill in its current deteriorated state, but the overall theme of the film is decidedly positive. I’ll give a more detailed description of “Return to Hope” in one of my future blog entries. I’ll end this entry with a logistical announcement: On August 1st, I arrived in Savannah, and on the second attempt I found a roommate situation in a shared apartment that works for both me and my roomie. I’m quite comfortable here in Georgia and I especially love the historic district of Savannah (that’s where the college is located). Below is a link to the finished portfolio film “Return to Hope”.

One other announcement: I started a podcast as a companion site to this blog. I’ve only posted two short episodes so far, but I’ve really enjoyed the process of producing them. There will be many more episodes to come. Including video podcasts, as well. https://podcasters.spotify.com/pod/show/scott-joseph-moore/episodes

A True Story, as Yet Unfolding..., Film Journey

Winding the Way to Grand Providentia

Scene 1

Harmony is crouched, fingers clenched tightly to the cold metallic rim of the observation port. She is completely transfixed by what she’s seeing. She snatches a passing thought, ‘What is happening right now is not as simple as seeing, this is more akin to witnessing.’ And what she’s witnessing, is so far outside the realm of her previous experience, that she can only relate to it as being too far out there, way beyond the border of any run of the mill spiritual revelation. Harmony’s eyes are most certainly sending signals to her brain, but her brain seems to be rejecting those signals, one after the other, and without exception. She feels as though her mind is stuttering. Her brain is refusing to generate a coherent description of the visual information as it is being received. Her mind feels overwhelmed, overtaxed, overheated. Harmony fires out a desperate prayer that she won’t pass out. And then… She does.

Total blackness, and then, two pinpoints of light. They’re polychromatic and they appear to be at arm’s length. Or they could be miles away, like automobile headlights on a dark horizon. The lights don’t seem to be getting closer though, instead they are spreading outward, and fast. The pinpoints become dots and the dots become disks, the disks expand until they collide, integrate, and wash over her field of vision. And all at once, as if she had never lost consciousness, Harmony finds herself crouched, in the same position she had been, her white-knuckled hands, aching, her wide-open eyes still mesmerized by the dazzling light show before her. The waves of spectral color seem to be infiltrating, melding with, and extricating themselves from the molecular matter of the ceramic-clad surface on the inside of the energy containment tank. Almost as if the entire inner lining of the tank is one enormous cuttlefish. Harmony has looked through the viewport on this tank thousands of times over the past five years, always hoping to see some sign of success; some indication of stored energy. She suddenly realizes that she might have given up hope for success long ago, just as many of her friends, and most of her family, had given up on her. What she was now witnessing was so much more than redemption, so much more than success. This was indisputably miraculous!

Author’s note: As an integral part of the “True Story, as Yet Unfolding…”, the previous scene should be considered fictional creative writing. It is but one element of the continuous documentary we will be producing through the Alt Unity. While we should consider it fiction for now, I have an uncanny feeling that it may migrate to the factual side once the Grand Providentia Projection is underway.

Film Journey & The Alt Unity

Merging Intentions

Gathering Awareness – Entry #5

Many moments ago (specifically in January of this year), I sent out a series of specific conscious intentions with the expectation that they would manifest positive and profound changes in my personal life. In setting those specific intentions, I also conjured mindful expectations to affect positive and lasting change in the lives of many others. At the core of these intentions was a deep desire to aid in the healing of our planet, humanity, and all living creatures that inhabit the Earth. In the current moment, where I am continually practicing the art of focusing my awareness, my personal life has indeed changed dramatically since setting these specific intentions. I also see synchronistic positive change in the world I am one with. I see positive changes in the quality of interactions I experience with others, I see similar positive changes in the way I am perceiving the natural world around me, and I also intuit a dramatic increase in my personal ability to love others unconditionally. Yes, love is the ultimate Source energy. Love is always working toward the manifestation of our most heartfelt hopes and dreams. In this moment, I perceive that unconditional love has the capacity to engender our highest positive vibrations!

“In the Silence of Trees, Industry Dies” – From the Hope Mill series.

In the next blog entry, I’ll lay out the specific intentions I set back in January. I’ll propose how those intentions duly manifested the current changes in my personal life and the lives of others. I’ll also discuss how these intentions might manifest positive change for our shared future.