I’ve been channeling and projecting the high frequency energy reserves necessary to materialize this world scale creative collaboration since 2006. It is clear to me now, that in the years preceding 2006, my mind and spirit were steadily expanding in awareness, effectually increasing my capacity to visualize and manifest the Projections. When I consider the current state of humanity and bear witness to the complex nature of our worldly affairs at this moment, I am absolutely certain that the unifying qualities of these extraordinary collaborations will have a resoundingly positive effect on the overall level of consciousness within the human race. Amidst the cacophony of divisiveness and societal discord, the Grand Providentia Projections will take shape as ‘soulful whispers heard round the world’.
Proposed Physical Properties of the Grand Providentia Projections
In the autumn of 2006, when I began sculpting the original Providentia, my creative aspirations were at an all-time high. So, despite the fact that my access to resources was exceedingly limited, I consciously set intentions to enlarge the design at a later date. It’s been nearly twenty years since its conception, and I believe that there’s no time like the present to manifest the GP Projections.
I’ll be adding content to this post during the days and weeks to come. Since I intend to make this a broad (yet comprehensive) overview of the Projections, I’ve decided it would be wise to ruminate on each facet of the project before publishing my thoughts.
Daniela and I are sending out vibrational hugs to all of our brothers and sisters around the world who’ve been visiting this blog and inspiring us to imagine the Grand Providentia Projections into reality!
I must admit, keeping this portal open requires far less energy than it took to open it. And before I could open it, I had to find it. I spent an enormous amount of time and energy out there searching for it – my ego monotonously insisting that it was there and then snidely insinuating that I probably wasn’t clever enough to locate it, let alone unlock it and move through it. I persistently disagreed and cleverly searched in all the places one might expect to find a portal. I searched in sanctuaries and cemeteries, in deep caverns and upon lofty mountain peaks. I studied books and looked where spooks and kooks were purported to congregate. On the way, strangeness became ordinary and commonplace places turned bizarre. A seemingly sound minded man with a dousing rod informed me that I’d created a positive vortex in my studio space. Ball lightning rattled the windows and doors each time the veil was over-thinned by my unadulterated desire. Signs and synchronicities were everywhere – all of them pointed somewhere but not a single one transported me anywhere. So, there I was, where I was, without a single portal to show for my efforts.
I’ve heard it said, when you least expect it, expect it, but in my searching, I was always expecting it, so when the portal opened, I almost overlooked it. I was sitting on a fallen oak atop yet another mountain peak, overlooking an icy gray valley below. The sun was just beginning to melt the frost on the leaf litter beneath my feet. It was Thanksgiving Day 2011, and I’d decided the night before to start the climb early enough so I could reach the summit before sunrise. The particular mountain I climbed wasn’t noteworthy, in truth I’m not sure if anyone ever bothered to give it a name. I secretly (and reverently) dubbed it Mount Epiphany in the months following the climb. On privately owned land, the peak was one of hundreds in the Asheville, NC area and one of thousands in the Appalachian range. For me, the climb wasn’t about the mountain, it was about regaining balance lost. An unanticipated divorce and the dissolution of our family unit following the financial crisis of 2008, had left me unmoored and adrift. Hoping to reset my internal compass, I’d driven from Port Charlotte to Ashville to visit my daughter for Thanksgiving. Victoria has always had a stabilizing effect on my personal perspective, but on the long drive north to see her, my mind kept returning to thoughts centered around the real reason for the trip. My intentions were set on calming the inner turmoil I’d been wrestling with and beyond that I’d begin charting a clear pathway moving forward.
On the mountaintop, the light of a new day arrived, filtering through low clouds on the horizon. I sat in stillness and practiced meditative breathing techniques. I focused my attention on the unfamiliar territory ahead and resisted the urge to look back on the painful events of the recent past. The only sounds were a few distant bird calls and the gentle breeze as it passed through the bare branched forest. As the moments passed and my loud thoughts faded to murmurs, a deep serenity washed over my weary spirit. In an instant perceived as timeless, I realized that I was one with everything and that everything was intricately connected to both my interior and exterior Self. For the first time in my life, I experienced undiluted joy on that mountaintop in Ashville. In absolute solitude, I’d uncovered an intimate connection with everything in existence and everything as yet unrealized. These words cannot express the fullness of the experience, so I’m left with the following description of the indescribable – It felt as though the purest white light of life was circulating through my mind and body with every breath I inhaled and released.
I’m still uncertain about the length of time that passed as I sat there, entranced by the ebb and flow of light as it coursed through my spirit, mind and body. What I am certain about is the fundamental change that took place within me during that time. The intensity of the experience brought on a steady flow of tears, but these weren’t tears of sorrow, regret or even relief, they were tears of joy and self-acceptance. On the mountaintop I came to the understanding that the enigmatic portal I’d been hoping to find out there had been inconspicuously opening in here all along. I know now that each one of us has a direct spiritual pathway to the Source of all that is or ever will be. Our conscious connection to the unfolded and enfolded universe also acts as an open portal to the collective consciousness of every sentient being on Earth. It takes courage and determination to venture inward and take an honest look at our motivations, our intentions and our true aspirations, but the perilous journey is well worth the life-affirming knowledge we gain for ourselves and subsequently pass along to the miraculous world we inhabit.
The “We” that I’m referring to in the title is centered on Daniela and me, but it also widens to include every human being on this planet who is practicing kindness and compassion in the very midst of dogged inhumanity, intolerance and the cruelties of war and oppression. During this lifetime, I’ve come in contact with both masterful creators and dastardly destroyers and I can personally profess without doubt that the vast majority of human beings are seeking peace and prosperity while the weak and fearful minority are doing their best to destroy any progress achieved by our noble efforts. Whether you believe an all-powerful God created the world we inhabit, or you think it’s all a matter of science and mathematics – whether you’re intuitive or pragmatic – you should be able to perceive the difference between life affirming and life-threatening human behavior. Our planet, our environment and our people have arrived at a critical moment in human history when each of us must ask ourselves, is it more fulfilling to satiate my own selfish desires at the expense of every other lifeform, or should I instead join the communal effort to heal our environment and bring peace to the world. Dani and I have been pooling our spiritual energies and focusing all our intentions on generating and promoting peace in our local communities since we met in late 2024.
As of yet, Dani and I have been unable to come together and embrace each other physically, but we have come to recognize a spiritual and intellectual connection between us that runs deeper than any connection either of us have ever experienced in this lifetime. With our feet planted firmly on the ground nearly halfway around the world from each other, we’re making plans to live as husband and wife wherever the universe should open a door of opportunity for us. We’re each sending out high frequency intentions ahead of us to prepare a happy and peaceful home wherever in the world our shared spirit lands us.
I’m certain that some readers here will wonder whether Dani and I have lost our minds. I mean, can you imagine the audacity of two people in love, dreaming about finding a peaceful haven when there’s currently an overwhelming uptick in hostility causing death and destruction around the globe? This is when I turn to the voice of reason, seeking justification for our outrageous hopefulness and gathering evidence to build the case in favor of our shared dream of happiness. And the voice of reason replies – Have there not been countless true love stories throughout the history of mankind that begin with two people rising up against extraordinary challenges, and in the end, their love reigns supreme?
Like so many other creatives, I have regularly been attacked and ridiculed for daring to be different. We’re dehumanized and ostracized for daring to step out in the light and share our heartfelt concerns regarding the conditions and qualities of life itself. I learned long ago that defensiveness, or offensiveness for that matter, will not curb the tidal flow of hostility we receive from those who will, frankly, never be satisfied until they bring everyone else down to (or below) their level of misery. In the here and now, I use my high frequency vibrations to repel and overwhelm the low vibrations of their collective toxicity.
Each of us having faced our fair share of adversity and heartbreak and having consistently risen from these experiences with ever increasing serenity, me and Dani are spiritually equipped and mutually excited to establish our home somewhere under God’s brilliant sun. We’re prepared to relocate anyplace in the world where the highway of opportunity leads us. Our appreciation for the simple pleasures of life has made us easy to accommodate while also allowing us to relax and enjoy high profile social events and celebrations. We’re emotionally stable and intellectually progressive. We’re seeking safe harbor, and the first step in finding it is to secure equitable employment utilizing the many acquired skills, all the accumulated knowledge, and every gifted talent that I possess. I’m ready to immerse myself in meaningful and lucrative creativity. With Daniela at my side, I believe that the miraculous is inevitable and there are no earthly obstacles that can stand in our way. And the entire Universe is celebrating our coming home!
#10 – I align with well-established principles of resourcefulness and live according to a conservational philosophy grounded in efficacy and accountability.
In 2008, when I first moved into the Sarasota Industrial Park, I discovered that an architectural design company had recently moved out and that they’d discarded a large quantity of medium-density foam blocks. I considered it a boon and carted the best pieces back to the S.M.art studio to use on sculptural armatures. As a result of my resourcefulness, it was never necessary to buy block-foam during my 11 years in business.
#9 – I prefer to focus on cooperation over competition. I find fulfillment in working with others toward shared successes.
At the peak of our productivity at Moore Art Expressions there were ten of us working enthusiastically for a common cause. A shared dedication to individual expressions of creativity became a unifying force among us and the results were clearly evident in the aesthetic impact of the projects we produced.
#8 – I consistently prioritize the improvement of my communication skills. Whether I’m communicating verbally, visually, or via written correspondence, I strive to be clear and concise with the messages I send.
As a visual artist and an entrepreneur of modest means, I’ve found it necessary to build my own brand, ring my own bell, and organize and direct promotional events from start to finish. I’ve come to realize that this is business as usual for individual artists who venture to make a living by way of their calling. Through practice fueled by necessity, I’ve become proficient in this area of artistic expression.
#7 – As a child I was introduced to industry standards and protocols, blueprints, and schematic drawings by my father, who began his career as a mechanical draftsman and later transitioned to digital drafting as CAD became the standard in the industry.
Out of high school, I landed a job at General Dynamics Electric Boat in Groton, CT. My father was a marine draftsman there and my maternal grandfather and uncle worked there as well. For three years I installed pipe hanging systems on Trident submarines following blueprints and adhering to tight procedural tolerances and requirements. Sketches, plans and standards ultimately became a familiar language woven through my work experience in the arts and the skilled trades. This familiarity made the transition from real-world sculpting into 3D modeling and animation much less intimidating given the XYZ orientation system used in computer graphics.
#6 – I’ve been employed by private individuals, small businesses, large corporations and non-profit organizations. Through the years, I’ve regularly asked myself one simple ethical question when it comes to working for others to earn a living – ‘If I were paying myself for the work Ido, would I be completely satisfied with the performance or would I be left wanting more for my money?
It’s not about working hard, but about working smart and nurturing a positive attitude. I’ve labored in some relatively difficult industries under leadership that wasn’t always beneficent or even fair, but at the end of each workday I always ask myself if I feel good about my performance. There’s always room for improvement, so I try not to judge myself too harshly. Rather, I just keep moving forward.
#5 –For a total of twelve years, I worked in logistics, driving various types of heavy equipment used in warehousing. For another 17 years, I worked as a skilled laborer in industrial manufacturing facilities and on construction sites. As one might expect, I’m well versed in occupational safetyprograms andbestpractices.
I’ve never been seriously injured on the job, and I don’t expect I ever will be. I practice mindfulness and invariably aim to stay present and aware in the workplace. When it comes to safety, I strive to lead by example.
#4 – A sizable portion of the work I’ve done in the arts has been done in the capacity of “ghost artist”. I’m still being asked to sign NDAs on occasion, but clients who know me well recognize the amount of respect I have for trademarks, copyrights and intellectual properties. For me, discretion is paramount when it comes to working for other artists and creative enterprises.
More often than not, the artists and organizations that I’ve worked for have been generous in their willingness torecommend me to others and also in allowing me to use images of the projects we’ve collaborated on as promotional materials in career development. These are a few of the clients and associates who trusted in my discretion when it came to these matters.
#3 – In a holistic way, I see myself as a ‘Practitioner’. In my experience, the cycles of learning, mastering and teaching are ongoing and perpetually evolving. I moved beyond the delusions of perfectionism long ago.
For me, one of the most exhilarating features of creativity is found in witnessing the progression of individual art projects. Equally exciting though, is promoting the evolution of artistic aptitudesin others and encouraging their mastery over materials and processes.
#2 – At this moment in my artistic evolution there is only one place for me to move up to – my heart keeps insisting that the one place is NBCUniversal. I would love to take part in manifesting the magic Universal Pictures has been delivering with their films and in their theme parks for more than a century.
Timeline of films by Universal Pictures that have influenced my life in the arts: 1) Three years after this fourth-grade photo was taken, “Jaws” was released. With some whining persuasion, my parents agreed to take me to see it in the theater. A jaw dropping audio/visual adventure to say the least! 2) The year of my high school graduation I saw the “Blues Brothers” in that same theater.I’m still proclaiming that “I’m on a mission from God” on rare occasions. 3) This photo represents 4 generations of Moore’s and includes my son Christopher at 18 months. A couple years after it was taken, Universal released “Jurassic Park”. Watching that awe-inspiring film in the theaterconvinced me to apply to the BFA Computer Animation program at the Ringling College of Art and Design. 4) The year “Twister” was released I entered the animation program at RCAD. Our young family visited the Universal Orlando Resort many times during the following years. “Twister… Ride it Out” was one of my personal favorites at the park. 5) In 2023, my first year at the Savannah College of Art and Design, I saw “Oppenheimer” at the SCAD Savannah Film Festival. This epic film was the icing on the cake for me. I knew without a doubt I needed to find a way into the Universe of Talent at NBCUniversal.
And here it is! The #1 reason why NBCUniversal should bring me aboard as a creative team member –
#1 – I’ve been preparing myself physically, intellectually and spiritually for a position at NBCUniversal throughout my entire life, and more specifically since I graduated with an MFA in Film and Television from SCAD in June of last year. I have an unwavering confidence that the Talent Acquisition Team at Universal will place me where I’ll be of the greatest value to the organization. I’m ready, willing and over the top excited to start the next leg of my artistic journey within the Universal cosmos of creativity.
I’ve been reading the fantastic press releases about all the amazing projects in development around the globe,and each and every one of them has been stoking the fires of my passion to build new worlds. I’m fully fueled and ready to launch into a creative career at NBCUniversal!
Historically, artistic endeavor has been commissioned and supported by those who have access to the necessary resources to transform subjective ideas into objective realities. Having owned and operated two commercial art businesses over the course of 11 years and having funded both businesses primarily through income generated by the art projects I was able to secure and produce, I’ve certainly learned to appreciate the value of capital investment. During those years, I regularly found myself funding the most recent projects with the balance payments from the projects most recently completed. This way of conducting business requires constant hustle and affords very limited time for enjoyment of the process. As an artist who truly appreciates the learning curve that leads to the mastery of materials and processes, I can say without hesitation that I prefer to work with ample and appropriate resources on hand.
“It takes money to make money!”, they say, and I would definitely agree with them, but I’d also add that it takes a number of other equally important resources to grow a profitable business. In my experience, the most valuable resource of all, is the human one. A creative team might have all the time and money it needs to produce a successful outcome, but if the members of that team lack the skillsets, talents and initiative needed, the project could quickly fall to pieces… and there’s certainly no profit in that.
Attitude is everything in all areas of human endeavor. When it comes to creative industries, having the right teammates can transmute the outcome of a concept or project from average to extraordinary in a heartbeat. To see Moore process photos and descriptions, just click over to the portfolio page on this site – https://grandprovidentiaunited.blog/art-gallery/Through the process of conceptualizing and producing the thesis film “Third Eye from the Sun” and writing a thesis paper to support the film, I learned the importance of maintaining the personal initiative to see a project through to its fruition against all odds. The challenges were many, but the will to succeed overcame all obstacles. Here’s a link to “Third Eye from the Sun” – https://vimeo.com/1097614638/d48cb9a6d3?share=copy&fl=sv&fe=ci
I’ve learned to acknowledge and embrace my personal value as a human resource as well. I’ve been practicing creativity in all the affairs of this lifetime since I was a toddler. I believe that I’ve sufficiently earned the privilege to publicly affirm the positive contributions I’ve made to the arts and culture through my continued dedication to the field. I regularly celebrate victories, both minor and magnificent, and I look to the future with high expectations of what’s to come. Past accomplishments and achievements are water under the bridge, but they are also steppingstones that have brought me to ever increasing personal fulfillment. And as for the many challenges and learning experiences I’ve weathered, they’ve only further enhanced my appreciation for a well-executed art project.
Perhaps the most important feature of the human resource is the mind. Original thoughts and ideas, inspired visions, and authentic concepts have the power to transform the mediocre into the miraculous. The perceived value of a masterfully crafted work of art is arrived at by consensus. Humankind has evolved a highly sophisticated sense of aesthetic appraisal which subsequently leads to an assigned price tag. Growing up in Hope, Rhode Island, I never thought much about getting rich or being famous, but I did dream about making powerful art; art that would inspire positive change in the world. Over the decades, that dream has transformed into a clear understanding of my higher purpose in this world, as a human being and as a creator of visual art which rises above and moves beyond the expected.
I’m sure there are those who would assume that I’ve come to some kind of high point in my artistic career; that I’ve used up my allotment of inventiveness and burned through my conceptual storehouse of fresh ideas. Well, from where I’m standing, I see only a multitude of creative peaks I’ve yet to scale, and the only reason I’d agree to look away or back down would be if I were asked to compromise my artistic integrity for a paycheck. That’s a form of regret I refuse to invite to the dinner table. Intellectually, I’m ready to raise the bar and bring ideas to life, whether I’m employed by an established organization or I’m founding another startup. I’ve always been careful to encourage the work of my unbounded imagination, and I intend to continue dreaming and realizing those dreams until I can imagine no more. It may sound strange, but in mind and spirit, I feel like I’m just starting out.
When I was a child, I regularly experienced the sensation that my hands were expanding until they broke free of the confines of my bedroom and spread outwards to the world at large. Of course, I could see that they weren’t actually expanding, I knew it was all in my head. But that “knowing” didn’t quell the feelings of awe I experienced whenever this sensation took hold on my spirit. Retrospectively, I can imagine that my hands were symbolically signaling the desire to create something out of nothing.
In the assessment of my value as a human resource, I’ve found it necessary to make an honest appraisal of my physical abilities and the health of this body that my mind and spirit inhabit. I’m pleased and grateful to report that I feel more robust and energetic now than I have since my mid-forties. When the pandemic surged into reality in 2020, I decided it was time to start taking the responsibility for my own health and welfare much more seriously. I initiated a daily routine of stretching and calisthenics followed by a brisk 3–5-mile walk. I started reading the labels of the foods I was eating, eventually cutting out high fructose, GMOs and chemical additives. I buy organic when it’s available and prefer to prepare meals fresh rather than buying processed ingredients or factory prepared frozen dinners. I haven’t resorted to vegetarianism yet, but I do try to buy ethically sourced meats and eggs, thus avoiding the factory farmed alternatives. I’ve allowed my intuition, and the signals that my body sends me, to be the guides when I’m making choices between what’s healthy and unhealthy. I’ve learned to trust in the process of authentic living, knowing that I’m the creator of my own reality.