Head Tales

Casting Dark Shadows #4

Chapter 4

~ Attracting Ghoul Friends ~

For me, the payoff of a nightmare almost always comes in the moment of waking up. Especially if I wake to birdsong and sunshine. I can usually shake off even the most diabolical of night frights quickly in the light of day. But when it’s too early to get up and I know I’ll be going back down for more of the same, all I can really do is try to appreciate the entertainment value of my frightful nocturnal imaginings. There is a thrilling rush of adrenaline that comes when I awaken from a mind-bending vision of abject horror. When I was young, I gradually became addicted to that rush. Being hooked on fear, I would look forward to the next nightmare, hoping only that it would be more terrifying than the last. I was rarely disappointed. Eventually, my mind created a dream routine that would ease me out of the darkest reaches without the shock of being physically jolted into a sitting position in my real-world bed. The routine soon became my favorite part of every scary dreamscape escape. I offer up another recurring nightmare from early childhood to fill you in on the devilish details of the routine.

I find myself standing next to an antique potbelly woodstove that my mother is trying to light up – it’s a gloomy little room, cold and damp – foggy outside and foggy inside. Is it fog, smoke, or an army of ghosts filling this place? – mom is cursing – the fire won’t start – “Stay here Scott, I’m going to get some firewood.” – the room suddenly feels fragile, like a thin-skinned tent – I follow my mother to the screen door and latch it with an equally fragile hasp – as I’m backing away from the door, it dawns on me that I am no safer inside of this wicked crate than I would be outside of it – I know what’s coming – I’m powerless to stop it – my mom comes screeching back to the door with superhuman speed, crazy sharp claws, cruel looking fangs, and hair sticking straight out in all directions – it isn’t my mother, it’s an apocalyptic lunatic. Her tortured howl is maddening – I know the screen won’t hold for more than a second – I know that a second is all I need – my ritual of escape takes the lead and the relief is immediate – I curl into a ball and fly backwards through the air – spinning around, rolling forward and taking control – flying, rolling, out of the darkness and towards my house – bursting through the back door at full speed – up the narrow stair case and down the hall – in the instant that I land in my bed, I’m awake, and I know that I’m safe. Once again, I had left the shock of the night terror where I thought it belonged, deep down inside. What I failed to realize is that the depths would keep getting deeper to accommodate for the growing horde of monsters I was routinely breeding and feeding with my swiftly accumulating fears.

“Dream Wand”
acrylic on carved wood over cricket cage.

The fight was a mismatch from the very start. These demons were in an entirely different weight class than me. Anyone with a modicum of sense would surely have told me so. But I never told anyone about my plans to confront the blackness, except for the God within me, and I was fairly confident God would always have my back. If not, I thought, ‘How in the hell do I keep making it back to my bed in the morning?’

In the youngest years of my life, the daytime hours were filled with adventure, exploration and wonder. I would spend as many hours as I was allowed to, playing in the tattered woodland areas around town, wading through the rivers and runoffs, digging in the dirt for worms and antique bottles, and crawling through the rainwater drainage pipes beneath both Mill and Main Streets. When mom and dad decided I was old enough to sleep in a tent in our backyard, the adventures often continued well past the witching hour. Slinking through Hope in the darkness was a lot less scary when your friends were there with you, so usually the tent in our backyard was filled with as many friends as the tarpaulin floor could accommodate. As I recall, my older brother and I would argue over who’s turn it was to sleep out in the tent on any given night, but we soon realized that the overflow could always sleep on the ground underneath the stars. At one point we must have had upwards of fifteen wayward boys, and sometimes one wayward girl, marauding through the streets of Hope Village under the dark cloak of night.

Living in Presence

An Abstract Theory of Intentional Time Travel #1

Chapter 1 – Traveling into the past and back home again.

All of our memories about the past, at least the ones that are still available to us, can be recalled audibly and replayed visually within our minds, but only to the extent and accuracy that our minds will allow us to remember them. All of our memories have been colored by our personal perspectives, preferences, and the emotions we were feeling at the time the memory was stored. It seems to me that excessively painful, or exceedingly pleasurable, memories take longer to fade, but they are also more likely to be distorted by the emotions we were feeling when we experienced the actual event. Another person who was present and experienced the same event may have an entirely different recollection of what happened. In my opinion, that is one of the most wonderful things about memories – they are not an objective portrayal of the event, but instead they are mental constructs – reenactments that have been specifically designed to help each of us process our life experiences in the most effective way possible. If we learn to seek insight through the painful memories and then willfully release them, knowing that we have gained all the potential for understanding locked in those memories, we can set ourselves free from the pain of our past and bring ourselves closer to being present in the current moment. On the other hand, we can choose to nurture and hold on to the memories that bring us joy and remind each of us of who we truly are. We can learn to archive and selectively preserve memories that serve us well whether they are painful or pleasurable but grounding ourselves in the present moment is the key to using our memories for intentional time travel.

“An Object in Motion”

This is the first chapter of a three-part series describing An Abstract Theory of Intentional Time Travel. Skeptics, cynics and critics, feel free to speak your minds. These thoughts were brought to you by the collective consciousness of humankind.

Update: I’ve added a second film to my YouTube channel. It’s a promotional film about the “Return to Hope” bronze sculpture that I recently repatined and put up for sale. Here is the link in case you’re interested – https://www.youtube.com/watch?v=iyS4elkdsyg&t=46s

Living in Presence

An Abstract Theory of Intentional Time Travel #3

Chapter 3 – The Future is a Succession of Present Moments

The first time I attempted to be mindfully present, I was only able to stay in that state for a few seconds and then my mind returned to its usual whirlwind of habitual thinking. But, for those few seconds, I felt an overwhelming sense of relief. Instantaneously, I realized that life wasn’t as serious or complicated as I had always believed it to be. I came to the understanding then, that the present moment was not nearly as intimidating when it was emotionally detached from the past and the future. Previously, every moment of now had been engulfed in regrets from the past and fears of what might happen in the future. Now that I could see the present moment in its simplest form, without all the weight of past and future, I found it much easier to accept whatever each consecutive moment had to offer. As I became more practiced at the act of staying present, I also learned how to separate and evaluate the pains and the pleasures as I was experiencing them, during each passing moment. This made both the pleasurable and the painful experiences easier to appreciate emotionally. Knowing that a hardship in the moment does not need to be compounded by dredging up and attaching every similar moment from the past, gives us an opportunity to treat ourselves with empathy and compassion, even during our most traumatic or tragic moments. There is an amazing feeling of peace that comes when you learn how to unburden yourself of regret and worry, especially if you’ve been carrying around the weight of that emotional baggage for most of your life. In my life, even pleasurable moments were often spoiled by past and future. If I was feeling pleased about anything at all, I would seek out memories of past failings to justify why I didn’t deserve to be happy now. If that didn’t bring me down enough, I would look forward in fear to when the feelings of pleasure would end. Because, eventually, they always end. Or that’s what I thought back then. Now, the act of being present has become a choice that I make over and over again, in each passing moment, not because it’s habitual, but because it is a much more enjoyable way of life. And that’s not all. The moment of now has the potential for a much greater payoff than just making our lives more peaceful and enjoyable than they were when we were filling them up with all of that bad mojo from the past and future. The present moment can also aid us in the fulfillment of our goals and promote the manifestation of our most treasured dreams.

“Beach Gnomes in Paradise” sculptures by S.M.art Castings & Sculpture Services, LLC
Photo by Kevin Moore.

The more you live in the now, and consequently, the less you live in the past and the future, the easier it becomes to perceive the causal nature of your thoughts and actions as you work through them. Practicing mindfulness in the now, we can learn to watch ourselves as we live out our life stories. If we want to achieve a particular goal, we understand that we must move in the direction that has the best potential of getting us there. Before we can even move though, we must decide that we are willing to face certain challenges along the way. Is it worth the effort? Bringing that question to our past experiences to help us decide whether it may have a favorable or unfavorable outcome is certainly a valid course of action. As long as you are not looking back to find excuses not to move forward. So many times, I’ve talked myself out of something, because I’ve either failed to achieve it in the past or looking back I see that I’ve never had the courage to attempt it in the first place, so I decide to abandon the goal and settle for less. Looking to the future, while staying firmly grounded in the now, we can make wise choices and take the appropriate actions to get us where we want to be. The more goals we achieve, the more practiced we become at seeing the road signs of success as we are painting them. The present moment becomes a time machine, having the potential to transport us into a more predictable future. And still, the only time we really ever have is now. I’ve chosen to be present, right here, right now.

Presently letting go of the “Anonymous Self-Portrait” (1994). Speaking of excess baggage from the past, I’ve been carrying around this handsome fella for almost thirty years. If you would like to know more about this piece and hear the story behind it, just click on the link to see the short promotional film I produced in an effort to market this sculpture. I’m motivated to make this sale!

“Anonymous Self-Portrait”

Thank you for spending your now, here, on the “Grand Providentia United” blog site. Stay tuned for some extraordinary manifestations in the moments to come. I haven’t yet been able to raise the funds to embark on the “Florida to Maine Expedition to Gather Film Content”, but within the coming week I’ll be heading north, to Savannah first, and then hopefully toward Hope to spend the final weeks of summer with friends and family in Rhode Island. The fall is just ahead, and coursework will begin in early September at the Savannah College of Art and Design. I am extremely excited about what comes next! For now, I will continue to march through this life transition with patience, persistence and flexibility, from one moment to the next, until the future is now.

Film Journey

Moving Pictures

A sudden flash of bright flame and then a slow burn – that’s the way I’ve perceived events to be unfolding over the past four decades while pursuing my life’s higher purpose. Sometimes it appears to me that patience and perseverance are the only character assets I possess, especially during slow burn seasons. In slow times, when it feels as though my will to press forward is being nullified by circumstances and situations which are seemingly beyond my control, I know from experience that it’s time for me to turn inward. I turn my perspective within for a while to touch base with my mind, body and spirit. By taking an honest look at my motivations and desires – by appraising the level of self-esteem I have in the current moment – by making sure that I’m not feeling superior or inferior to anyone else, but instead just being my truest self – I can usually conclude whether I’m off on a tangent or still on the right path. And when, eventually, I turn the focus outward again, I find that there never really was an impediment, and that the only thing that was slowing down the fire had been my own self-defeating thoughts and actions. Then, right on cue, there’s another flash and the life-force burns brightly once more.

These past three months in Saint Petersburg have been a whole new level of slow burn, but in an entirely positive way. If you’re a new reader on this blog, you may not know that three months ago, just as I was just starting out on a cross-country road trip, I was involved in a car accident that relieved me of my only vehicle. My dear daughter Victoria picked me up on the east coast of Florida and transported me to the west coast. I’ve been holed up in Mike Elwell’s warehouse studio ever since that fateful day. It has been an absolute blessing being here near my son Christopher and all his friends. We’ve all shared some great quality-time together. Chris and I even managed to work together (creatively) on a couple of projects. But now it’s time to be moving along. I’ve procured a new ride and I’m preparing to depart St. Pete, probably next Wednesday morning. There are still a few things that I need to accomplish before I get back on the road. Hopefully that road takes me back to Hope during late June and all of July this summer. I am intent on making the “Florida to Maine Expedition to Gather Film Content” a reality (please visit the GoFundMe page I’ve set up if you feel it in your heart to support me on this extremely important trip – https://www.gofundme.com/manage/crosscountry-expedition-to-gather-film-content). The trip will be as low cost as I can make it. I’ll be sleeping in the van most nights or pitching a tent, while also relying on friends and relatives for an occasional civilized (indoor) sleepover. Some of you may know that I have secured the funds for tuition at the Savannah College of Art and Design. I will be entering the Graduate Film and Television program as a Fellow to the college this fall. The fellowship award was one of only two offered to graduate students each year. It will pay for half of the tuition and federal student loans will pay the other half. Rather than going back to Savannah now, to rent a room and pay board throughout the summer, I am planning to spend June and July on the road, gathering documentary film content (mostly in Hope, RI). From the road, I intend to secure a room in Savannah via the internet, preferably for August 1, and return south during late summer to get ready for classes. This transition I’m now making between fine art and film has been a long time coming. I started dreaming about a career in the movie industry well before I left Rhode Island in 1996. In fact, that was the whole point of moving our young family to Florida to attend the Ringling College of Art and Design. Pamela and I decided that I should pursue a BFA in computer animation and then I could make a lateral move into prop design or animatronics where I could put my sculpting skills to good use in show business. In the now, I’ve set my intentions on becoming an independent filmmaker. I am to become a writer, director and producer of surreal documentary films, the most elaborate of which, will be a factual documentary on the creation and installation of Grand Providentia Projections around the world. There will be a fictional version of the story produced simultaneously. The two stories will run parallel, merging plotlines and characters until the audience is unsure what is actually happening in the real world. It may seem like I just released the ultimate spoiler for this surreal documentary, but I can assure you that if it is done with the right amount of filmmaking finesse, the intrigue will only be enhanced if the audience knows that it is on them to figure out what is real and what is movie magic. That’s just one of the beautiful things about making pictures move.

Still frame from “Return to Hope” If you haven’t already seen it, please do. If you have seen it, please return for another trip to Hope. Just scroll down a few journal entries and you’ll find a link to the Grand Providentia Projection -YouTube channel.

My first film, titled “Return to Hope” is on YouTube. I will be adding a new film during the coming weeks that is focused on the bronze sculpture featured in the film. The new patina is nearly complete (one of the finest patinas I’ve ever produced) and I’m putting together a promotional short film to show off the process and end result of the repatine. I will sell this one-of-a-kind bronze casting to pay for the road trip and help me to pay for books and living expenses at SCAD in the fall. Once I publish the promotional film, I’ll return here to announce it and leave a link.

I’m back! Introducing “Return to Hope” the bronze! Featuring time-lapse photography of twelve hours patina work, simmered down into 5 minutes of film. This is a promotional film with the intention of selling this one-of-a-kind bronze sculpture, but it is also a lot of fun to watch. Enjoy!

Thank you for reading here! I am truly grateful for your presence and for your support.

Mindful Creativity

Naturally Radical

On paths less traveled I tend to make better time. From the outer edges of the crowd, the sightline is clear to a wider expanse of the horizon. As far back as memory can serve me, I’ve been comfortable with being a nonconformist. Eccentricity is as natural to my lifestyle as conformity is to another’s. To those who occupy the central villages of societal norms, I am often referred to as part of the fringe element. I’m happy being fringy. Happier than I could ever imagine being if I were here to live the role of a centrist. Domestication, and all things mundane, remind me of the Sunday suits with clip-on ties and over-tight collars that my well-meaning mom often cajoled me into wearing as a child. Is it in rebellion that I’ve become more eccentric as others have moved closer to the center? I’ve considered this possibility often and I’ve always arrived at the same conclusion. It is not rebelliousness, or any other socio-psychological reactivity, that makes me a non-conformist. It happens much closer to the root of who I am physically, spiritually and intellectually. Having learned to love myself, after too many decades of self-deprecation, I have come to understand the beauty of irregularity, and the true value of absolute self-acceptance. I embrace the unique strengths and weaknesses that come with the whole package of being me. This, in turn, makes it easier to connect with those at the very center of normality. I realize that even the most rigid conformists must deal with many of the same inner and outer struggles that I’m dealing with, and they’re regularly experiencing victories and defeats of their own. To middle-grounders, it may seem that those of us on the fringe are failing in basic ways, but that misperception is arrived at because their understanding of our lifestyle is basic, and furthermore, that understanding is based in a common, and well-worn, viewpoint. At this moment in human history, radical ideologies are becoming increasingly counter-productive to the unification of communities, societies and civilization as a whole. Those with open minds and hearts can comprehend that there are equivalent sources of positive and negative radical ideologies attempting to change the course of humanity at this moment in history. To those who occupy the middle ground, it may appear that there are far more negative radical influences within modern civilization than there are counterbalancing forces, those forces being on the positive side of radicalism. The reason for this shortsighted perspective – the worldview that being a radical is equivalent to having a negative impact on society – is that the radicals with ill-intentions are most effective in the mainstream of society. Using fear to their advantage, they keep their collective heel on the throat of humanity by infiltrating the very core of society with their warped ideals steeped in hopelessness and desperation. Fortunately, there is a counter-balancing force out here on the fringe. For the sake of this discussion, I’ll dub them the Free Radicals – these are the ones who strive to build a better future for all (including those who are not yet in existence). Free Radicals are unifiers and peacemakers, healers and problem solvers, and they act not out of greed or a lust for power, or even from a place of self-interest, instead, they are motivated and inspired by the finest qualities of humanity. They perceive, in their brothers and sisters, parents and children, something worth living and dying for. These Free Radicals think and act according to a shared value system. Their values are grounded in good will toward humanity and gratitude for the abundance of life and all of life’s sustenance on the earth.

The Reclamation of Manifest Destiny”

When I created the sculpture above, I failed to research the origins of the term Manifest Destiny, or to identify the negative connotations attached to the imperialistic outlook that brought this terminology into existence. In my ignorance I titled the artwork as such, thinking that it meant our ability to define and manifest our individual future lives by setting intentions that would aid in the realization of our best life stories. As I learn and grow, I uncover past missteps that I sometimes feel the need to acknowledge and correct. The term Manifest Destiny was appropriated and used in a way that is an anathema to my personal philosophy of inclusion and equality with regards to all people. Manifest Destiny originated here in the USA as justification for the colonialization of North America. They claimed that it was the European culture’s superiority over the aboriginal cultures that gave them the right claim all of the land from sea to shining sea. They committed widespread injustice and prolonged cultural atrocities all in the name of an ill-conceived western belief system. My intentions while creating the work were honorable, I was just looking at the term from a literal point of view and relying on the limited knowledge I had at the time. I stand corrected, and so does the title of this work.