Film Journey

Return to Hope #7

Production of a Portfolio Film – Post #7 Concept Development

Confrontation (middle section of film)

The middle section of “Return to Hope” (confrontation) will be executed stylistically as a surreal visual and audio reenactment of the industrial revolution from beginning to end, all within a micro-timeframe of three minutes. Will it be a sped-up historical account of the industrial revolution in general? No. Will it be a shortened historical account of the industrial revolution as it pertains to the Hope Mill? No. What it will be, is an interpretive historic account of the creative processes I’ve used to produce it. So, it will be light on history, but heavy on eye and ear candy. In terms of connecting the subject matter of the mill to the history of the industrial revolution, I will add this bit of historical trivia I found when I was searching for a start date of the industrial revolution in the USA – “The beginning of industrialization in the United States is usually pegged to the opening of a textile mill in Pawtucket, Rhode Island, in 1793 by the recent English immigrant Samuel Slater.” The previous statement is copied directly from history.com. The historic Slater Mill is a place that I have enjoyed visiting many times in my early life. The Hope Mill was also a textile mill, and the first wooden manufacturing buildings were erected in 1806, only thirteen years after Samuel Slater opened his mill. This small bit of information raises the historic value of the Hope Mill property significantly, I would say. This fact will also be largely significant during the preproduction stage of the documentary I intend to produce as soon as I graduate college in the spring of 2025. Breaking News Alert! – I’ve already set intentions to film a pilot episode of the “Grand Providentia Projection” in Hope, RI, as soon as I receive my diploma. I’m hoping that we (the Alt Unity) can also produce and install a monumental bronze sculpture somewhere near, or on, the mill property. This monument would be dedicated to the historic significance of the Hope Mill as it pertains to Rhode Island history and the history of the United States of America. It will also pay tribute to the men, women and (children?) of Hope who worked at the mill and made Hope into a prosperous and bustling mill town during the 19th century. I’ll write another bunch of journal entries on those plans once I’m finished with the production of “Return to Hope”. I am duly intent on staying focused!

“Once Proud, Now Brooding” From the Hope Mill Collection, June 2022

As most confrontations do, the middle section will start out fairly subdued in terms of imagery and soundtrack. The momentum of the imagery and the tempo of the audio will increase steadily throughout the three minutes allotted, until it climaxes, crescendos, and cuts to black and silence. The sequence of visuals will take the form of a rhythmic montage of industrial imagery. I have an elaborate piece of bronze sculpture that I cast back in 2007 that I’m currently in the process of putting a new patina on. The piece is titled “Trip Downtown/Industrial Revolution”. I created the original terracotta sculpture while attending classes at the Community College of Rhode Island and I added some elements and then produced a mold and cast a bronze from the mold when I was working at Bronzart Foundry in Sarasota, FL. When I was creating the original clay sculpture, all the way back in 1989, it was my intention to honor the Hope Mill and the village of Hope as well. It seems fitting to me now, that this artwork should appear in the film. I will not yet reveal all of the individual shots, or what I intend to do with the soundtrack for this section of the film, but I will say this, the confrontation will be chock full of dramatic sound and visual action. The greater the build-up of tension in this section, the more settling the resolution (end) of the film will be.

“Trip Downtown/Industrial Revolution” Dimensions of bronze – 30″H x 15″W x 12″D

Thank you for taking the time to read the “Grand Providentia United” blog! I really appreciate your prescence here. In the next “Return to Hope” entry, I’ll finish up with any remaining details about the central portion of the film and then I’ll move on to my plans for the ending, thus concluding the overall layout discussion. It won’t be long before I have some film to show!

Film Journey in the Now

Update on “Return to Hope” (Film) and the “Case of the Missing Blog Author”

Originally Published 12/10/22

Once again, I’ve neglected my commitment to those of you who are regular readers here. In a previous journal entry, I wrote about my intentions to document the making of the “Return to Hope” film in real-time on this blogsite. A few days after setting that intention, I realized that it was non-sustainable with regard to my energies, at least for now. The motivations I had for setting the intentions were sincere, in that I wanted to practice the process I intend to use for future filmmaking upon graduation from Savannah College of Art and Design. To be more specific, the process I intend to use for the “Grand Providentia Projection – A True Story, as Yet Unfolding…”, is directly related to what I was attempting to do here with “Return to Hope”. This post-graduation, master work, will be produced and promoted as a real-time documentary series that follows the progress of creating and installing, major collaborative art projects around the globe. These “Projections” will act as focal points for raising awareness of the conscious connection that exists between all sentient beings on our planet, and furthermore, how that conscious connection might be used to set positive collective intentions to restore and preserve our environment and heal divisions and discord within the human race. As this rolling documentary is being produced, there will also be a fictional version of the same story being filmed simultaneously. Eventually, the two stories will be merged and integrated into one production – a surreal documentary, with elements of both fact and fiction. Over the past fifteen years, I’ve been studying, and living by, many of the philosophical explorations that are the basis for metaphysics and the metaphysics of science, so I am convinced that this film format, the surreal documentary, will be the most powerful way to present the “Grand Providentia Projection – A True Story, as Yet Unfolding…” I must admit that it’s true, this endeavor is an enormous undertaking, but having worked on it for many years now, I know that its potential for realization is eventual, and quite possibly, inevitable.

You might be wondering why I decided that it was non-sustainable for me to document the making of “Return to Hope” here on the blog, as I produce it? The straightforward answer to that question is that I do not have the level of energy required to complete all the necessary tasks with even a modicum of success, therefore I’ve opted to prioritize my efforts, in an effort to accomplish some tasks with greater success. Since the moment that I decided to pursue a graduate degree in film, I’ve bought and learned how to use a digital film camera, conceived of “Return to Hope” and strategized its visual presentation to an audience (the admissions board at SCAD), filmed on location in Hope, RI, Bethlehem, PA and Savannah, GA, and I am currently editing the film in DaVinci Resolve, an editing software that was included with the Blackmagic Design camera that I bought back in April of this year. It sure has been a learning experience for me, but I can tell you with absolute honesty that I am loving the journey so far!

Photo shot on location at the Steel Stacks, Bethlehem, PA. The Steel Stacks is one of the locations where I filmed clips for “Return to Hope” Worthy of note: This pulley wheel is approximately 12′ in diameter and there were about 20-30 of them lined up in a humongous building!

There is another reason that I decided not to continue with the documentation on this blog. I wanted to introduce the final results, all polished and pretty, of “Return to Hope” to you all, once it is completely finished. So far, I’m super pleased with how it’s coming together! If nothing else, it is sure to be visually compelling. And fear not, you won’t have to wait long for the premier of this film, because I need to have it ready for delivery by 2/2/2023. I’ll be publishing it on YouTube as soon as it is delivered to the college. Stay tuned, dear readers, soon you’ll have more to look at than just still images! I promise.

Danger! There’s always someone trying to keep you from going someplace!
My First Short Film Released

The World Premiere of “Return to Hope”!

Originally Published 2/5/23

It was just about a year ago when I decided to take a leap of faith in my creative career by pursuing a graduate degree in film. Before taking this leap, I’d already taken a number of leaps of faith in my personal and professional life. This one felt different, not so scary. I’ve since come to realize that this leap is different than all the other leaps, in that the leaping-off point was duly situated at a more spiritually and emotionally mature elevation. In an earlier leap, in 1996, my wife (then) and I packed up all of our material possessions, loaded the little ones into their car seats and moved our family from Rhode Island to Florida. We made the move so that I could pursue a bachelor’s degree in computer animation. At that time, the computer-generated imagery (CGI) industry was changing the face of live-action film with blockbusters like Jurassic Park (1993) and Terminator 2: Judgement Day (1991). In the computer animated film industry, Toy Story had just been released (1995) and every computer geek and movie making wannabe was signing up at a college or tech-school with high hopes of claiming a seat in one of the major animation studios. Dreaming of jobs at Disney, Pixar or Dreamworks, they were all looking for the best route into the industry. I was, and apparently still am, a movie making wannabe, but back then I had absolutely zero experience with computers, and it had been a long time since I graduated high school in 1981. Fifteen years long, in fact. So, why did I decide to learn computer animation, having had no previous experience with computers? This is how I rationalized the decision – I would attend Ringling, learn computer animation, move the family (again) to California, get a high paying job producing CGI, and then make a lateral move into the model and props/animatronic studio where I really wanted to be. I had been creating hand built ceramic sculpture for more than a decade by 1996 and I could clearly see myself excelling in a movie-monster/sci-fi model shop. When I applied to, and was accepted by, the Ringling School of Art & Design (now Ringling College of Art and Design), I considered it destiny calling out to me personally, and so Pamela and I talked it over, and then we leaped…

Christopher and Victoria, during one of our many visits to the Magic Kingdom in Orlando (1998?). Both of my children were involved with the production of “Return to Hope”. Chris created the original soundtrack and Tori utilized her superior enunciating skills as one of the tree vocalists. Remember, they are adults now, so it’s not like I’m using this photo to exploit the obvious “cuteness factor” they both possess!

It has been more than 22 years since I graduated from RCAD, and I’m now preparing to land on both feet in the graduate program at SCAD.

Without further ado, I present to you, my loyal blog readers and any other wonderful human beings who’ve found themselves reading here, this is my first short film “Return to Hope”! Please subscribe to the YouTube channel and also here on the “Grand Providentia United” blog, to receive updates on the latest happenings on the event horizon. And, one other request, please leave a comment on this post (either positive or negative) once you’ve watched the film. It’s only nine minutes long, so there’s really no excuse not to watch it at least ten times! JK!!!

https://www.youtube.com/watch?v=yiV4jO-B6YU


Click on the link and enjoy!