Cosmic Overview

The Grand Providentia Projection – Where We Now Stand… United.

The following post was copied from my Facebook Profile page and pasted here on the Grand Providentia United blog.

In Transit

Transitions are as natural and integral to the human experience as are nocturnal dreams. Intuitively, I know that most of my personal transitions are happening at the same pace whether I am asleep or awake. In fact, it seems that the majority of ‘heartland’ transitions occur at night, on dreamscapes conjured by a collective subconscious mind. In the material world, physical transitions are largely a matter of logistics – we make our plans and follow through with actions to transition from one place to another. Our dreams follow. Our dreams lead. We are eternally in transit, while we are here, and when we move on.

Scott Joseph Moore

“American Dream Catcher” – Personal Dream Realization Device

Manifesting a Career in the Arts

I’ve read quite a few biographies about people from various backgrounds and professional fields of study. Because of my interest in the visual arts, most of them were written about artists. One particular artist’s biography that deeply resonated with me is Christo’s (Christo Vladimirov Javacheff – 1935–2020). Many of my friends from RI may remember him as the artist that wrapped the cliffs and beachfront in Newport, RI in 1974. That was one of his lesser-known projects. One of his biggest undertakings was in Germany, where he wrapped the Reichstag Parliment Building, in 1995. During his artistic career Christo conceived of and installed, in creative partnership with his wife Jeanne-Claude Denat, multiple large-scale projects all over the world. He funded them all with proceeds from the preproduction artwork and all of the materials (content) gathered from the concept development stages of the project. He lived a very simple and inexpensive lifestyle. As I remember, he never even owned an automobile or acquired a driving license. He was too busy creating his art.

13′ Prototype for Conscious Energy Receiver (2011)

Making a Way

I am in transition. I’m transitioning out of the hourly wage lifestyle of a blue-collar worker and into a creative career where I will rely on patrons and supporters who appreciate and add value to the artwork I create. I’ve already put enormous amounts of creative energy into the “Grand Providentia Projection”. I expect to be adding to, and compounding, those energies until I move on from this place. This is to be my masterwork in the arts.

Preproduction Phase 1 – Produce a small scale “Providentia” bronze sculpture with moving part(s), light, and possibly sound, to sell as a promotional fundraising element and to attract resources for the large-scale “Grand Providentia Projection(s)”. Limited to 50 castings (plus one AP), the tabletop edition will be 12″ tall and weigh approximately 30 pounds. The first ten of this reduced scale edition will be priced at $4,500.00. The price for the remaining 40 is likely to increase as the larger project becomes a reality. For anyone who is ready to invest in one of these works of high art, I will require a third deposit to reserve a signed and numbered bronze sculpture. Because the process to produce these sculptures has only just begun – it is currently being digitized and reduced – I estimate that the first 10 will be ready to ship in early 2024. These are exciting times and I expect the excitement to grow as the Grand Providentia Projections are made manifest.

“Providentia” – Peace

Thank you for reading here. Please consider leaving a comment (positive or negative) on this, or any other journal entry you’ll find by scrolling down. If you like what you read and see, add a tip to the jar if you’re so inclined – Donate * Contact page – or support the larger project by investing in the preproduction stages of the “Grand Providentia Projection”. Buy art for art’s sake, and support living artists!

Cosmic Overview

The Grand Providentia Projection – Where We Now Stand… United.

Journal Entry #1

When I retitled the American Dream Catcher bronze as Providentia, I arrived at the choice intuitively. I made an intuitive choice based on the limited knowledge I had at the time. I was looking for a title that was synonymous with English definitions of providence. Having lived in the village of Hope, in the state of Rhode Island for many years during my young life, I’ve always taken comfort in the fact that the state capital was named Providence, therefore I’m sure, at least subliminally, that I favored providence for nostalgic reasons. But the conscious choice was ultimately made because of the high ideals that the word conjures in my heart and mind. In truth, I almost used Providence as is, due to a particular definition that I found as soon as I started searching – “timely preparation for future eventualities.” ~ Oxford Languages. I then searched for the Latin origins of the word providence and found what I thought to be an eloquent alternative in Providentia. Three quarters of a decade later, spellcheck is still underlining the word in red, whenever, and wherever, I am writing about the work of art digitally. Since the application of a new patina and the retitling of the piece in 2015, I’ve learned more about the name I had chosen so long ago. Providentia Augusta was the Roman Goddess of forethought, foresight, and a maker of provisions for the eventualities She alone foresaw. The spirit of the Grand Providentia Projection is all about looking ahead collectively, and adjusting some of our lifestyle choices now, to make wise and ample provision for a promising future.

Adding the adjective “Grand” to Providentia in all discussions about the enlarged version of the sculpture may seem obvious, or even juvenile to some, but I considered other qualifiers for a good while and kept coming back to grand. From conception, the 42″ bronze sculpture was intended as a working model for a much larger piece. A monumental bronze, envisioned at 16′ tall, it would include all of the natural elemental forces of our environment – earth, air, fire and water – with the added elemental force of collective human consciousness. Spectacular was another word that I remember considering as a replacement for grand in the title, but I thought it sounded forced. I stayed with grand.

In recent months, I’ve turned away from the idea of the Grand Providentia being described, even in passing, as an art project. It has become so much more than that. To call it a “projection” instead, was also an intuitive decision – just like the name Providentia, except this time it was arrived at during a series of transcendental meditations wherein I envisioned the Grand Providentia projected onto the face of the Earth by the collective conscious intentions of a multitude of like-minded human beings. Consciousness acting as a celestial slide-projector. Just as it is believed in many contemporary spiritual traditions, we would collectively attract light energy from on high, beckoning Universal consciousness down to us, while we were simultaneously performing the groundwork of physical manifestation. The projections would be materialized objectively, of course, with the hard work and creative persistence of many courageous individuals, but they would also be manifested metaphysically through the power of positive intentions. The Grand Providentia Projection is currently experiencing a growth spurt unlike any other it’s had since the inception of the American Dream Catcher project in 2008. The materialization of this dream is imminent.


I’ll keep the focus of this overview set on the physical end-product of the Grand Providentia Projections in order to afford you all a better description of how these Grand Providentia will be presented to the whole of humanity. It is likely that the first one will need to be produced in the United States on the mainland. Funding will need to be in place before the site is chosen, but already I’m sensing that it would be well received in Colorado. The Projections will be more than just sculptures placed on pedestals. Part of the broader vision is that they would be encircled by meditative gardens with water features and plantings of native vegetation. Local stone would be used for any structures or paved walkways within the footprint of the Projection. I would also want to incorporate a modest learning center where people would find more information about the scope of the projections once they are being manifested globally.

The sculptures themselves will need to include stainless steel support armatures for strength, and the reflective orb in the lower portion of the piece will also probably be produced in stainless steel (high polished and custom cast at 30″ in diameter). While the main structure is likely to be cast in bronze, it is just as likely that much of it will be fashioned with other materials such as stone or glass. I am not attached to the design of Providentia, or even its basic shape, those considerations are open to change by the creative crew that will be assembled to produce the artwork for each location. I’m sure there will be ten or twelve professional artists and architects involved in the planning and producing of each projection. Beyond that, there will be a support crew – technicians, administrators, patrons and any other ancillary help as needed. I firmly believe that once the intentions are set and the resources are in place, each projection will be raised up and promoted by the positive energy being attracted to the enthusiasm of the group. We’ll be relying heavily on positive vibrations. Not only the vibrations of active participants, but also the high vibrations of people from all over the world who are interested and invested in our success. Yes, I’m sure there will also be those who are trying to impede our progress, in fact I am fully expecting formidable resistance, but let’s not get into that here. You can trust that I’ve already been practicing counter-resistance techniques for more than a decade in my own life, so I don’t expect there will be much negative impact on our efforts in the long run. The Grand Providentia Projection will be made manifest. The time is now, the place is here, on the surface of our one and only planet – Earth.

I’ll return within the coming days to make an account of how I will proceed from here. All is well. In fact, it is exactly what it is meant to be, so how could it be anything other than well. Thank you for reading here! I truly appreciate your time and attention.