In a flash of pure inspiration, the bright light of my creative vision intensified until I could clearly see an unlimited potential for artistic growth and expansion. As the father of two children, I can readily compare this epiphany to the moment I realized that Christopher and Victoria had become adults, each with their own ideals and preferences as to how they would like to proceed with their lives. I understood in that moment, without question, that it was time for me to step back and watch them take charge of their own lives, for better or for worst best. Similar to the that realization, during the witnessing and acknowledgment of the maturation of my creative powers, I was filled with a profound sense of peace and acceptance. The acceptance was universal in nature. Not only was I ready to accept my higher purpose in the world, an acceptance which made it possible for me to fully embrace the role of being a multi-talented and exceptionally educated Visual Artist and Writer, but I also sensed an absolute acceptance of the person I’d become by the broader world around me. It was a lot like stepping through a doorway; a doorway I’d been standing outside of for far too long. Suddenly, my previously ephemeral and subjective visions were solidified into a treasure trove of concrete and identifiable forms and concepts. Abstract ideas became visually accessible to my mind by way of my heart (intuitively). I was born with a passion for creativity, so I’m accustomed to spiritual breakthroughs, but this awakening I experienced was something entirely new, its echoes are still reverberating throughout my mind, my body and my spirit.
I’ve been unable to pinpoint exactly when this metamorphosis took place, in truth it seemed to occur over the course of three or four days, but I can tell you that it happened sometime during the past month (November 2025). So, what does this transformative experience mean, and how does it inform the next steps in my creative journey? That’s an excellent question! Read on, and I’ll do my best to describe the vision of what comes next.
Abundant Past Behind – Abundant Future Ahead
I choose to limit the time I spend looking back. I see the past for what it is – an imaginary construct of thoughts, emotions, memories, and lessons learned. I choose instead, to keep the primary focus of my life energy trained on the present moment and the future. Being fully aware that the future circumstances and experiences of this lifetime will be determined almost entirely by my thoughts and actions now, I choose to envision a life of abundance. This is not wishful thinking; it’s an act of intentional focus, meant to orchestrate positive future circumstances. Yes, I’m fully committed to the idea that each of us has the capacity to design a life that is meaningful and fulfilling based on our own passions and preferences. I’m eager to venture forward into the next phase of my creative journey, as a storyteller, a filmmaker, a fine artist, and an inventor of imagery as yet unimagined.
The evolution of an idea: The first bronze sculpture I created was “Working for Peanuts” (left). From the moment I completed the piece, I was dissatisfied with the negative tone of the original concept. The new title is “Libertus”. The original sculpture is in storage at the moment, waiting to be finished, remolded and cast in bronze as a unique work of art.
Idyllic Expectations
Since graduation, in June of this year, I’ve been contemplating what kind of short-term and long-term solutions I can envision for the future of my artistic expression. As I’ve been diligently searching for employment, I’ve also been making some thoughtfully refined discernments about the ideal career circumstances I’m looking to manifest. The following paragraph is written as a Personal Mission Statement, but it could also be regarded as a Letter of Intent for potential employers, investors, partners and associates who are visiting this site to learn more about the substance of my character, the depth of my dedication to artistic excellence and the breadth of my creative qualifications and experience. I remain open to an unlimited source of possibilities and potentialities.
Ideally, I would love to find a mid-level position within an established film studio or themed entertainment venue having the potential for career growth and expansion. I would be equally as excited to find a role in film and television production as a writer, script supervisor, or a location scout as I would be in filling a more traditional artist’s position, such as set builder, model and prop fabricator, or an SFX studio assistant. I would enter into any one of these roles with the same level of enthusiasm and commitment as I’ve always practiced when it comes to creative industries.
Eventually, when I’m offered the opportunity to join an organization in a suitable creative role, I’m confident that I will prove myself as an asset to that organization within a short period of time. I am committed to becoming a writer and director of feature-length films within the next ten years. This goal represents my passion for storytelling and my ambition to contribute meaningfully to the film industry. I recognize that achieving this ambition requires hard work and perseverance. I am fully prepared to earn this privilege by dedicating all of my best qualities and strengths to my work. My aim is not only to fulfill my personal aspirations but also to elevate the success of the entire organization through my efforts. This is the way I’ve always focused my energies. Whether I was installing pipes on nuclear submarines, manufacturing neon signs, producing bronze sculptures for artists and art patrons, or creating the next Scott Joseph Moore original artwork, I’ve always kept the focus on producing the best possible outcome under the given parameters of timelines, resources, and expectations. Although, as I stated in the title of this post, I’m intent on moving beyond all expectations when it comes to my artistry.
Let it be known that I have completely earned my way in life and in Art. Through twists and turns, slowdowns and blockades, I have always kept my focus on the path ahead, driven by unwavering positive expectations. I am incredibly fortunate to have had parents and grandparents who instilled in me from an early age that anything is achievable if I believe in myself and pursue it with passion and persistence. Thankfully, those invaluable lessons took root in my heart, where they will remain for the long haul.
In June of this year, I graduated with a Master of Fine Arts degree in Film and Television from the Savannah College of Art and Design. Now, I’m determined to find and secure an exciting creative position in the film and entertainment industry with one of the leading organizations in the field. Soon, the right opportunity will present itself, and I’ll be ready to immerse myself (mind, body and spirit) into the creative process without doubt or reservation. I’m here to make art that has meaning and adds value to society. I believe it’s my higher purpose in life. All I need now is to find the right creative team to join. I’d be thrilled to work for an organization that appreciates me for the skills, talents and experience I possess. When that door of opportunity opens, I’m certain to thrive in my new creative home under the sun. In absolute confidence I can attest, I will continue to earn my way in this life, by making art that comes straight from the heart.
Brief Artist’s Biography – My Transition from Fine Art and Commercial Sculpture into the Art of Filmmaking
In an effort to keep this post brief, I’ve included a select number of pictures to spark your interest! If you’re excited to explore more amazing artwork and discover the fascinating processes behind limited-edition sculpture castings, I invite you to visit the new page on this site! Check out the VISUAL ART PORTFOLIO page to enjoy the wonders of Moore Art.
In 1969, I proudly won my first award for art at the age of six. The thrill of the award and the joy of recognition inspired me to embark on a lifelong journey of artistic exploration, fueling my dream to “become a famous artist” as I grew older. Many believe we choose our life paths when we enter this world, and while I may not have understood that as a child, over the past forty years of striving, struggling, and persevering, I’ve come to wholeheartedly embrace this belief. Today, I view purposeful creativity as my higher calling—my ultimate reason for being here. Expressing myself through the creation of visual art feels like a natural extension of who I am.
Yes, that’s me. I’m third from the left with the wide-striped shirt. And about fifty-five years after I won that award at Hope Elementary School in Hope, RI, I was awarded a Master of Fine Arts degree from the Savannah College of Art and Design in Savannah, GA.
Whether I’m creating custom art for a client, manufacturing a product for an international corporation, or using all of my skills and talents to express a powerful artistic vision from within, I always feel like I’m exactly where I’m meant to be, doing precisely what I’m meant to be doing. Without reservation, I embrace the life of an artist, as I truly can’t imagine living any other way. As I’ve navigated through this vibrant journey in the visual arts and skilled labor industries, I have consistently prioritized the enrichment of knowledge and hands-on experience. During the 8+ years I spent in college classrooms and studios, my intention was always to remain open-minded, stay present, and soak in as much wisdom from my professors and classmates as I was able to absorb. In my younger days, during moments of uncertainty, I questioned my own motivations for pursuing my passion for creation. Despite some naysayers in the peanut gallery suggesting that I’m “… just looking for attention,” I know that isn’t the case. I’ve realized that attracting attention to artwork requires much more energy and persistence than the pleasurable act of creating it. I treasure the process of making art so much that promoting it often feels secondary. At this stage in my journey, I’ve come to understand that I study, practice, and create art as an adventurous way to explore the truth of who I am. When I’m immersed in creation, I feel more like myself than at any other time. And so, I joyfully persist.
During the eleven years that I was Owner and Creative Director at S.M.art Castings & Sculpture Services, LLC and Moore Art Expressions, I was constantly learning new art production processes and materials. I was also learning critical business management skills. In retrospect I see that the most valuable lesson I learned is that I am just as comfortable leading as I am following when it comes to the creative process.
Recently, I’ve been asked by both close friends and new acquaintances about my journey to the Savannah College of Art and Design at this timely moment in my creative exploration. I firmly believe this has been the long-term plan all along. It was by intentional design that I earned my first college degree at the Ringling College of Art and Design in 2000. My decision to apply to their BFA program in Computer Animation back in 1996 was a strategic move aimed at building momentum toward the live-action movie industry. Following the groundbreaking success of films like Jurassic Park and Independence Day, which showcased extraordinary VFX sequences, the computer animation industry was booming, and I was eager to secure my front-row seat on this exhilarating ride. While my true passion lay in creating practical SFX—such as model making, monster crafting, and lifelike animatronics—I recognized that mastering computer art would significantly enhance my transition into the movie model shop.
In my fourth year of studies at the Ringling College of Art and Design, I was required to develop and produce a thesis animation project from concept through completion. The project required the understanding and implementation of nearly all of the same principles and considerations used to produce live action films, including casting actors (character design and development), production design (digital props and environments), cinematography (virtual camera placement and shot design), lighting considerations (virtual light systems), sound design (digital sound effects and music score), and SFX (in this case VFX particle systems for flames and explosions). Learning and utilizing Maya (a premiere computer animation software) to produce my RCAD thesis project was an extraordinary experience. The RCAD animation program’s guidelines only allowed us 60 seconds of computer-generated animation with title sequence and end credits included. I learned that 60 seconds is a lot of time when you have to fill it with dynamic imagery and a compelling storyline. Above is a still frame from “Element of Desire”, my thesis animation about a pyromaniac’s obsession with fire.To the left and to the right in this composition are single frame renders of environments that I designed and digitally modeled in Maya for “Buster’s Christmas Wish”, a 3D animated Christmas Special I worked on at Aston Worldwide Entertainment after graduating from RCAD. The central image is from a 3D Computer Modeling class project I rendered while at the Ringling College of Art and Design.When Aston closed down unexpectedly, I did some freelance work for a few weeks while I was in job search mode. These are custom digital designs (3D models) I created for StarDuster’s Workshop. They were designs intended to be sculpted in real-world materials, molded and cast in fiberglass. These themed fiberglass “skins” would then be retrofitted onto pre-existing replication devices (injection molding machines). Some of my readers may have seen these replication devices out in the real world at zoos or theme parks. A child puts their money in the machine, and they watch while the machine produces a small commemorative wax/plastic sculpture by way of injection molding.
Life in the arts has provided me with invaluable lessons in flexibility and adaptability when faced with the unexpected. After an enriching two years in the computer animation field and witnessing the closure of the animation studio where I had been working, I enthusiastically redirected my career toward fine art sculpture production by mastering the fascinating process of lost wax bronze casting at Bronzart Foundry in Sarasota, Florida. With years of experience in the skilled trades, working with metal, wood, gypsum, plastics, and other materials, I quickly flourished in the foundry environment, excelling at shop work using industrial-level tools and techniques to transform bronze ingots into breathtaking end products. In just a few months, I became proficient in smelting and pouring, welding, grinding, finishing, patina application, and the installation of bronze sculptures, ranging from charming tabletop pieces to impressive monumental multi-figure works. I also enjoyed the distinct honor to be the sole patina artist on the first four editions (out of five) of the late Robert Rauschenberg’s bronze sculptures titled The Ancient Incident (Kabal American Zephyr). During the two years before his passing, I visited “Bob” on multiple occasions at his amazing studio on Captiva Island, even sharing in a champagne toast with the iconic artist. While catering to artist clientele and collaborating on their projects, I also devoted time to my own innovative designs, continually inspired by the journey ahead.
The late Richard Frignoca (owner of Bronzart) gave me permission to set up an ad-hoc studio at the back end of the warehouse space. It was in this space that I sculpted the original clay models which would become my first body of work in bronze. The white conic shape on the far right is the humble beginnings of “Providentia”. For new readers of this blog, you need only scroll to the top of this page to see the finished bronze – Edition 1/5. “Providentia” was also featured in the SCAD thesis film “Third Eye from the Sun”. I will elaborate on that point later in this post (below).
After a 6-year stint at Bronzart, once I had mastered the skills and processes of bronze sculpture casting and there was no further room for advancement, I decided to make a bold move by leaving the foundry and establishing the first of two commercial art sculpture businesses I owned and operated in Florida. I founded S.M.art Castings & Sculpture Services, LLC in Sarasota in 2008.
S.M.art Castings quickly earned a reputation in Sarasota as a gathering place for creatives. The studio evolved as a gallery venue for art events, while also being a production facility for custom sculpture production, art castings, fabrications, and mold making services. During the slow months, usually in the summer when all of my clients returned to their summer homes in the north, I would work on the signature sculpting projects that I couldn’t afford to focus on when there was client work in the shop.My brother Kevin and I curated a show featuring our personal work in 2011. The show was billed as “Art in the Industrial Park” and it included client projects on display in the back section of the studio. The paintings of nudes throughout the gallery area, the “Nude on Coca Cola” sculpture, and the sinker cypress (wood) piece in the foreground are Kevin A Moore’s work. Kevin was also the photographer for this promotional gallery image.
Those first few years in business were an undeniable trial by fire. While my studies at Ringling College had provided valuable insights into the commercial art industry, I quickly realized that solid business courses beyond art school would have been invaluable. Looking back, I see that a deeper understanding of the challenges of running a business might have made me pause before embarking on this particular leg of the journey. Strategically, when I launched S.M.art, I made a decisive choice to rent a space near downtown Sarasota. Upon discovering the warehouse in the Sarasota Industrial Park, just three miles from the city, I seized the opportunity with confidence. Five years later, to optimize my overhead and fuel smart growth, I relocated an hour south to Port Charlotte, where I found industrial spaces at roughly half the cost per square foot. With this move, I also embraced a name change, opting for something more creatively expressive: Thus, Moore Art Expressions was born.
They refer to it as the “Sunshine State” with good reason! Our creative team at Moore Art Expressions was happy and industrious in Port Charlotte, Florida.We worked on projects in a wide range of materials and applications, so it helped that we had multiple distinctly facilitated workspaces. Keeping a clean work environment was critical to avoid cross-contamination of materials, but it also kept us healthy and mindfully inventive in our space.Mold making and casting limited editions in Forton were two of our bread-and-butter processes at MAE.
We also participated in many community art events and hosted a few of our own. This event was held at Selby Botanical Gardens in Sarasota.
For readers eager to explore the exciting art projects we created at S.M.art and MAE, simply scroll up to the main menu and click on the VISUAL ART PORTFOLIO button. You’ll find a treasure trove of photos and descriptions showcasing the wonderful processes behind our work. As I pen this post, I’m thrilled to share that I have even more inspiring content to add to the new page, and I can’t wait to update it very soon to support my job search efforts!
A Natural Progression into Storytelling Through the Art Form of Motion Pictures
I put together this trio of images taken from the production of my thesis film to use as a headliner for my LinkedIn profile – https://www.linkedin.com/in/scottmooresmartcastings/ . From left: Behind the scenes photo taken on the backlot at SCAD in the alleyway (Gotham section). My friend and classmate, Damian Standen played the role of Maynard, and I played his Uncle Neil. The central photo is a still from the final film – Neil is trying to convince his nephew to take over his work on a conscious energy device he’d invented. On the right: Maynard comes out of a trance state initiated by the device and rejects Uncle Neil’s offer.
As I mentioned earlier, I’ve been transitioning from static visual art (fine art) to the dynamic realm of film since my teenage years. My ambition to enter the movie industry has intensified with each passing year, particularly following my transformative experience at the Ringling College of Art and Design. Since graduating from RCAD, I have consistently monitored the college for the introduction of an MFA program in film, though they still only offer 4-year degrees. I proudly taught as an adjunct professor for two semesters at RCAD during the 2011-2012 academic year, where I aided in the development of a course to equip computer animation students with essential real-world sculpture techniques and materials.
In early 2022, as the world was fiercely rebounding from the challenges of the pandemic and I was navigating the tumult of emotions following my mother’s passing, I took an invigorating moment to dive deep into the incredible journey I had forged in the realm of visual art. In reflecting on my path, I felt a powerful sense of fulfillment for all that I had accomplished, yet an undeniable yearning surged within me for one last artistic adventure before this chapter came to a close. My beloved Mom, always my loudest cheerleader, inspired me to strive for greatness and ascend to new heights. She passionately encouraged me to follow my bliss, consistently reminding me, “Scott, you’re a talented artist. I believe you can accomplish anything you set your mind to.” In her loving memory, I made the bold decision to embrace her words, testing my limits to see if I had the tenacity to go the extra mile. I resolutely committed to believing in my own abilities and talents as I embarked on the exciting journey of returning to college to pursue a Master of Fine Arts degree in Film and Television at the prestigious Savannah College of Art and Design.
These six images are still frames from my first film titled “Return to Hope”. It was my portfolio submission when I applied to SCAD in February 2025. I was accepted and awarded a Presidential Fellowship to the college. This is a link to the film on my Vimeo channel – https://vimeo.com/1094080450?share=copy#t=0 Be sure to watch the other videos on my channel while you’re there and please leave a comment if you’d like to support my creative endeavor.
In September of 2023, I confidently entered into a transformative program of study at SCAD, culminating in my graduation on May 29th of this year. Throughout the past two years, I encountered challenges that tested my resolve, but each experience only strengthened my determination. I was steadfast in my commitment to take 3 classes per quarter, enabling me to graduate in just six quarters (2 years). While I absorbed a wealth of knowledge in a short timeframe, I relished the exhilarating growth it brought! The Film and Television program at SCAD is intentionally designed to be intensive and rigorous, pushing me to excel. In my second year, I took great pride in writing a 15+ page thesis research paper connected to my thesis film. Writing, directing and acting in the “Third Eye from the Sun” was an extraordinary learning experience that significantly enriched my skills. I wanted the film to stand out as an “Art Film”, so I designed and fabricated the conscious energy device that was central to the storyline (see photos below). With a dynamic team of over 40 creative minds collaborating on the project, the energy and support we shared were truly remarkable, even as we wrestled with the challenges of requiring additional help both physically and financially!
Logline:Maynard must face his deepest fears before he can take over his dying uncle’s life work and inherit the conscious energy device he’s invented.
“Third Eye from the Sun” is based on an ongoing true story. Uncle Neil, the role I embody in this short film, draws from a fictional alter ego that I have been meticulously developing for nearly 20 years. Although, it definitely hasn’t felt like such a lengthy process, because time seemingly passes swiftly when one is entirely engaged in the creation of art. While working at Bronzart in 2006, I began the practice of reading (and re-reading) literature focused on achieving success in both business and life. A client at the foundry generously gifted me Napoleon Hill’s Think and Grow Rich, which subsequently led me to explore numerous other works by authors outlining similar strategies for wealth accumulation and prosperity. These business success books ultimately directed me to metaphysical texts and literature centered on conscious awareness. Explorations concerned with the manifestation of desired outcomes, the laws of attraction, and related themes increasingly replaced the fictional novels that had occupied my reading time for most of my life.
Still frame from the opening sequence of TEFTS. When I started writing the screenplay for my thesis film back in September of 2024, I intended it to be a surreal psychological thriller. All the way back to the original Twin Peaks (1990), I’ve been inspired by the film work of David Lynch, so when he passed away just a few days before we started principal photography for Third Eye from the Sun, it seemed appropriate to dedicate the film to the director I’ve most admired. In truth, I may not have even committed to SCAD’s program if I hadn’t seen the amazing work Lynch did in his celebrated Twin Peaks: The Return (2017).
The group of images above are representative of the creative process I used to design and fabricate the “Conscious Energy Device – A transmitter, receiver, and reservoir for consciousness” purportedly created by Maynard’s uncle, Neil Barrett. I aspire to create a feature length version of this short film one day. When that day comes, I envision a much more elaborate device with functional accessories, incorporating light, sound and animatronic mechanization. I had sold my welding machine when I closed Moore Art Expressions and moved north, so I subcontracted Patrick Sell (a local Savannah tradesman) to weld the steel frame for me, per the rudimentary design sketch I provided to him.
The following images showcase selected still frames from “Third Eye from the Sun,” my thesis film from the Savannah College of Art and Design. Currently, I’m keeping the film under wraps as I prepare to submit it to various film festivals throughout the year ahead. Many prestigious festivals require that they have the exclusive premiere screening if they choose to include the film in their lineup. For my readers who are interested in seeing the finished short film “Third Eye from the Sun”, here’s a link – https://vimeo.com/1097614638/d48cb9a6d3?share=copy&fl=sv&fe=ci
Maynard’s moment of truth.
I trust you’ve found this insightful synopsis of “Third Eye from the Sun” and the overview of my dynamic transition into the film industry engaging. Thank you for exploring it on the Grand Providentia United website. I encourage you to support this page and my artistic journey by subscribing and sharing your thoughts here. I’m confident that there will be an abundance of thrilling news to share in the near future.
Rising above the traditionally non-functional approach to visual artwork, the creation story of Providentia is unique in that this bronze sculpture was intentionally channeled and manifested into this time and space to serve as a functional conscious energy device. Throughout my life as an artist, I have always sensed that the artwork I envision and bring into being is, in a way, just passing through me. It’s as if the work is already there and I just need to manifest it conceptually and materially. Providentia, is without doubt the most powerful work of art that I have ever channeled into existence. I feel as though the unrealized art object was there waiting patiently for me to express it and usher it into reality. The creation itself was merely on standby until I was strong enough to draw the artwork through and materialize it. To many people, the previous statement might sound contrived or even pretentious, but I must insist that this is indeed what it feels like when I manifest a work of art.
Originally, Providentia was titled “American Dream Catcher – Peace, Power, Love & Riches”, but once the sculpture was cast in bronze, I decided that it needed a more dignified title to match the innate beauty of its form. I began to see Providentia as being an embodiment of male/female spiritual energy rather than just an ordinary art object.
Physical Properties ofProvidentia
Providentia – Bronze casting mounted on a black marble base. Limited Edition: 1/5
The partial orb (Low Frequency Reflector) in the bottom section is chrome-plated bronze. The fluted globe (Containment Reservoir) in the upper section rotates via the hand operated spindle at the top of the device.
Dimensions: 39″ H x 16″ W x 16″ D ~ Weight: 100 lbs.
Approximate time involved: 420 hours from concept to completion.
Price: $25,000.00
Note: This is an original sculpture by Scott Joseph Moore. Ordinarily, the sculptor of an original model (using their preferred materials), brings the artwork to a bronze foundry to be molded, cast and finished (patina) by the foundry technicians. In the case of Providentia and the other bronzes I’ll be featuring on this blog, I performed at least 75% of the work involved. There are specific steps during the bronze casting process that are best performed by a team, such as the pouring of the molten metal, but even in that regard, I was part of the team that poured all of the bronzes I’ll feature here. Having more than 15 years of experience in the bronze sculpture industry and having specialized in metal finishing and patina application, I can testify with complete transparency that the bronze work involved with materializing Providentia is of my own creation. I applied the poly-chromatic patina on Providentia over the course of two 10-hour days (20 hours).
There was an abundance of conscious intention and purposeful execution involved in the creation of Providentia. The separate design elements featured in this photo; each have their own function and are also integral parts of the whole “Harmonic Dream Conservatory”.
Providentia ~ A Conscious Energy Transmitter, Receiver and Reservoir
Included with the sale of Providentia 1/5, will be a custom wood pedestal (painted in the color of your choice) and a classic bronze “Personal Dream Realization Device” so you can carry the power of Providentiawith you, wherever your intentional journey takes you.
If you are interested in purchasing Providentia 1/5, or any other artwork featured on this site, please visit the Donate*Contact page here on the “Grand Providentia United” blog page for contact information. Serious inquiries only, please.Thank you for visiting!
Suspend your conditioned disbelief and open your mind to the possibility that you’ve been shortsighted from the start. Now, try to imagine a world far beyond your understanding. Why am I instructing you to do this? Because that’s the reality of this world. It’s the reality of the world we’ve all been born into.
“Artifice Unreal”
Vision Statement:
Human beings have historically relied on their limited physical perceptions to find reason and make sense of the world around them. This ‘making sense of things’ has given rise to the amassment of a vast database of accepted knowledge in every field of study which has piqued the curiosity of mankind since the beginning of time. Our need to label and categorize each new discovery and experience, and subsequently place it in the appropriate field of study, has often led to disputes between the various ologies. Notoriously, theology, philosophy, sociology and the physical and theoretical sciences, have been judged as incompatible, incomparable, and even adversarial in their belief systems. This disunifying categorization of ideas has invariably led to one blind spot after another, one war of ideology after another, and yes, one battered and bruised ego after another. But can one belief system ever completely negate another? I think not. And even if the human race could unanimously agree on which belief system we should follow, how could we ever know if we’re heading toward the purest or truest perception of reality. Third Eye from the Sun will seek to blur the boundaries between ideologies. The film will question the commonly accepted ‘sensible’ nature of reality. It is likely that human beings will never fully unravel the mysteries of the Universe, let alone understand how consciousness affects our perception of what is actually happening here. Can the energy fields emitted by collective consciousness be captured and contained to be selectively deployed as curing agents for the existential threats we humans are currently facing? I don’t know for sure, but intuition is telling me that this fringe ideology is worth a thorough exploration.
Preferred location for Uncle Neil’s secluded workshop. The place where Maynard will design and build a conscious energy transmitter and receiver. Rose Dhu Island, Chatham County, GA.
Synopsis:
Maynard Otto Barrett, a discredited and disillusioned quantum physicist, finds himself ostracized by family, friends and associates because he’s been increasingly outspoken about his nonconventional theories concerning the nature of human consciousness. As a boy, Maynard’s favorite relative, and the person who introduced him to the wonders of physics and philosophy in the first place, was his mother’s brother, Uncle Neil. Maynard would visit his uncle’s house out on the marshes whenever he was given permission by his mother, but it was only on rare occasions that she would grant him that permission because she didn’t trust her brother’s judgment. Cindy Barrett knew her older brother Neil was always getting completely wrapped up in his crazy experiments and she feared her little boy would be easily influenced by his madcap imaginings. As any good son would, Maynard tried to assuage his mother’s worries about the time he was spending with Uncle Neil, but the more time he spent with him, the more apparent his intrigue became and the less convincing his arguments were. His uncle’s strange stories and ideas were indeed unrealistic, but Maynard truly enjoyed the way he felt when he was hanging out with Uncle Neil in his ad-hoc laboratory. There, he felt like the world was a magical place. A place where anything could happen at any given time.
Maynard’s father had never shown much interest in his son, or anything else for that matter, so when he abandoned Cindy and Maynard just after the boy’s seventh birthday, Uncle Neil became the one and only male role model in young Maynard’s life. Uncle Neil taught his nephew everything he’d learned through a lifetime of studying physics and metaphysics, but the most important thing he taught him was how to think for himself. At ten years old, when his mother informed him that they would be moving away from the rural coastline of southern Georgia to look for better employment opportunities in Atlanta, Maynard rebelled. At first, he tried to reason with her, telling her that they were doing just fine in Shellman Bluff, but he knew how unreasonable that sounded, so his second strategy was to go to his uncle and ask him to talk to his mother. Neil knew his sister well. He knew that when she made a decision to do something, there was really no point in trying to talk her out of it. Maynard and his mom never made it to Atlanta. Instead, they settled in the city of Athens, where Cindy found work at the University of Georgia, the college that Maynard would attend for the first four years of his undergraduate studies. When they first arrived in Athens, Maynard and his mom talked often about returning to Shellman Bluff, at least to visit Uncle Neil, but within months they were both so caught up in building new lives for themselves that they only rarely mentioned his name, and when they did, it was with a nostalgic reverence that left them both shaking their heads in wonder. In the isolated social environment of Shellman Bluff, Uncle Neil’s outlandish ideas had seemed fairly rational, but in the brightly lit and intellectually progressive city of Athens, those same ideas seemed to be completely delusional.
During his graduate studies at the University of Florida, in Gainesville, Maynard attempted to contact his Uncle Neil a couple of times through the mail but never received a response. The last time Maynard had seen or heard from him was the day he and his mom drove out of Shellman Bluff heading for Athens. His uncle had always been an off-the-grid kind of guy. As far as Maynard knew, he had never owned a cell phone and he mistrusted the government to the point of paranoia, so it was understandable that it was difficult to contact him. Every time that Maynard thought about driving north to check on Uncle Neil, something would keep him from it. Years went by, and life went on. Maynard earned a PhD in quantum physics, minoring in philosophy from MIT. He was forty-three, married and living in Cambridge, Massachusetts and his world seemed to be spiraling out of control. For the past twenty years his internal thoughts had been waging war with every exterior source of knowledge that he’d been introduced to during his studies. In both his professional and his personal life Maynard felt like an imposter. He was losing touch with everything that had ever mattered to him, which now included an estranged wife and two children of his own. When he took an honest look back at his life, he realized that the day he said goodbye to Uncle Neil was the day that he had stopped considering the unlimited possibilities of life and had started instead to imagine only the limitations.
Maynard knew that it was time to return to Shellman Bluff. He’d concluded that the only way he could untangle the mess he’d made of things was to return to his uncle’s laboratory to see for himself if the man he knew as Uncle Neil was legitimately insane or simply misunderstood by society. He had no idea whether his uncle was alive or dead, but he knew this journey was likely to change his long-held perceptions about everything and everyone. Against all opposition and inquisition, Maynard leaves Cambridge and heads for Shellman Bluff and his uncle’s home in the marsh. What he discovers there is so far outside the boundaries of his previous experience that it makes him not only question his own sanity, but it leads him down a pathway and into an alternative reality from which he may never return.
"Grand Providentia United" 