#10 – I align with well-established principles of resourcefulness and live according to a conservational philosophy grounded in efficacy and accountability.
In 2008, when I first moved into the Sarasota Industrial Park, I discovered that an architectural design company had recently moved out and that they’d discarded a large quantity of medium-density foam blocks. I considered it a boon and carted the best pieces back to the S.M.art studio to use on sculptural armatures. As a result of my resourcefulness, it was never necessary to buy block-foam during my 11 years in business.
#9 – I prefer to focus on cooperation over competition. I find fulfillment in working with others toward shared successes.
At the peak of our productivity at Moore Art Expressions there were ten of us working enthusiastically for a common cause. A shared dedication to individual expressions of creativity became a unifying force among us and the results were clearly evident in the aesthetic impact of the projects we produced.
#8 – I consistently prioritize the improvement of my communication skills. Whether I’m communicating verbally, visually, or via written correspondence, I strive to be clear and concise with the messages I send.
As a visual artist and an entrepreneur of modest means, I’ve found it necessary to build my own brand, ring my own bell, and organize and direct promotional events from start to finish. I’ve come to realize that this is business as usual for individual artists who venture to make a living by way of their calling. Through practice fueled by necessity, I’ve become proficient in this area of artistic expression.
#7 – As a child I was introduced to industry standards and protocols, blueprints, and schematic drawings by my father, who began his career as a mechanical draftsman and later transitioned to digital drafting as CAD became the standard in the industry.
Out of high school, I landed a job at General Dynamics Electric Boat in Groton, CT. My father was a marine draftsman there and my maternal grandfather and uncle worked there as well. For three years I installed pipe hanging systems on Trident submarines following blueprints and adhering to tight procedural tolerances and requirements. Sketches, plans and standards ultimately became a familiar language woven through my work experience in the arts and the skilled trades. This familiarity made the transition from real-world sculpting into 3D modeling and animation much less intimidating given the XYZ orientation system used in computer graphics.
#6 – I’ve been employed by private individuals, small businesses, large corporations and non-profit organizations. Through the years, I’ve regularly asked myself one simple ethical question when it comes to working for others to earn a living – ‘If I were paying myself for the work Ido, would I be completely satisfied with the performance or would I be left wanting more for my money?
It’s not about working hard, but about working smart and nurturing a positive attitude. I’ve labored in some relatively difficult industries under leadership that wasn’t always beneficent or even fair, but at the end of each workday I always ask myself if I feel good about my performance. There’s always room for improvement, so I try not to judge myself too harshly. Rather, I just keep moving forward.
#5 –For a total of twelve years, I worked in logistics, driving various types of heavy equipment used in warehousing. For another 17 years, I worked as a skilled laborer in industrial manufacturing facilities and on construction sites. As one might expect, I’m well versed in occupational safetyprograms andpractices.
I’ve never been seriously injured on the job, and I don’t expect I ever will be. I practice mindfulness and invariably aim to stay present and aware in the workplace. When it comes to safety, I strive to lead by example.
#4 – A sizable portion of the work I’ve done in the arts has been done in the capacity of “ghost artist”. I’m still being asked to sign NDAs on occasion, but clients who know me well recognize the amount of respect I have for trademarks, copyrights and intellectual properties. For me, discretion is paramount when it comes to working for other artists and creative enterprises.
More often than not, the artists and organizations that I’ve worked for have been generous in their willingness torecommend me to others and also in allowing me to use images of the projects we’ve collaborated on as promotional materials in career development. These are a few of the clients and associates who trusted in my discretion when it came to these matters.
#3 – In a holistic way, I see myself as a ‘Practitioner’. In my experience, the cycles of learning, mastering and teaching are ongoing and eternally evolving. I moved beyond the delusions of perfectionism long ago.
For me, one of the most exhilarating features of creativity is found in witnessing the progression of individual art projects. Equally exciting though, is promoting the evolution of artistic aptitudesin others and encouraging their mastery over materials and processes.
#2 – At this moment in my artistic evolution there is only one place for me to move up to – my heart keeps insisting that the one place is NBCUniversal. I long to take part in manifesting the magic Universal Pictures has been delivering with their films and in their theme parks for more than a century.
Timeline of films by Universal Pictures that have influenced my life in the arts: 1) Three years after this fourth-grade photo was taken, “Jaws” was released. With some whining persuasion, my parents agreed to take me to see it in the theater. A jaw dropping audio/visual adventure to say the least! 2) The year of my high school graduation I saw the “Blues Brothers” in that same theater.I’m still proclaiming that “I’m on a mission from God” on rare occasions. 3) This photo represents 4 generations of Moore’s and includes my son Christopher at 18 months. A couple years after it was taken, Universal released “Jurassic Park”. Watching that awe-inspiring film in the theaterconvinced me to apply to the BFA Computer Animation program at the Ringling College of Art and Design. 4) The year “Twister” was released I entered the animation program at RCAD. Our young family visited the Universal Orlando Resort many times during the following years. “Twister… Ride it Out” was one of my personal favorites at the park. 5) In 2023, my first year at the Savannah College of Art and Design, I saw “Oppenheimer” at the SCAD Savannah Film Festival. This epic film was the icing on the cake for me. I knew without a doubt I needed to find a way into the Universe of Talent at NBCUniversal.
And here it is! The number one reason why NBCUniversal should bring me aboard as a creative team member –
#10 – I’ve been preparing myself physically, intellectually and spiritually for a position at NBCUniversal since I graduated with an MFA in Film and Television from SCAD in June of last year. I have an unwavering confidence that the Talent Acquisition Team at Universal will place me where I’ll be of the greatest value to the organization. I’m ready, willing and over the top excited to start the next leg of my artistic journey within the Universal cosmos of creativity.
I’ve been reading the fantastic press releases about all the amazing projects in development around the globe,and each and every one of them has been stoking the fires of my passion to build new worlds. I’m fully fueled and ready to launch into a creative career at NBCUniversal!
A True Story, as Yet Unfolding... 