Once again, I’ve neglected my commitment to those of you who are regular readers here. In a previous journal entry, I wrote about my intentions to document the making of the “Return to Hope” film in real-time on this blogsite. A few days after setting that intention, I realized that it was non-sustainable with regard to my energies, at least for now. The motivations I had for setting the intentions were sincere, in that I wanted to practice the process I intend to use for future filmmaking upon graduation from Savannah College of Art and Design. To be more specific, the process I intend to use for the “Grand Providentia Projection – A True Story, as Yet Unfolding…”, is directly related to what I was attempting to do here with “Return to Hope”. This post-graduation, master work, will be produced and promoted as a real-time documentary series that follows the progress of creating and installing, major collaborative art projects around the globe. These “Projections” will act as focal points for raising awareness of the conscious connection that exists between all sentient beings on our planet, and furthermore, how that conscious connection might be used to set positive collective intentions to restore and preserve our environment and heal divisions and discord within the human race. As this rolling documentary is being produced, there will also be a fictional version of the same story being filmed simultaneously. Eventually, the two stories will be merged and integrated into one production – a surreal documentary, with elements of both fact and fiction. Over the past fifteen years, I’ve been studying, and living by, many of the philosophical explorations that are the basis for metaphysics and the metaphysics of science, so I am convinced that this film format, the surreal documentary, will be the most powerful way to present the “Grand Providentia Projection – A True Story, as Yet Unfolding…” I must admit that it’s true, this endeavor is an enormous undertaking, but having worked on it for many years now, I know that its potential for realization is eventual, and quite possibly, inevitable.
You might be wondering why I decided that it was non-sustainable for me to document the making of “Return to Hope” here on the blog, as I produce it? The straightforward answer to that question is that I do not have the level of energy required to complete all the necessary tasks with even a modicum of success, therefore I’ve opted to prioritize my efforts, in an effort to accomplish some tasks with greater success. Since the moment that I decided to pursue a graduate degree in film, I’ve bought and learned how to use a digital film camera, conceived of “Return to Hope” and strategized its visual presentation to an audience (the admissions board at SCAD), filmed on location in Hope, RI, Bethlehem, PA and Savannah, GA, and I am currently editing the film in DaVinci Resolve, an editing software that was included with the Blackmagic Design camera that I bought back in April of this year. It sure has been a learning experience for me, but I can tell you with absolute honesty that I am loving the journey so far!
There is another reason that I decided not to continue with the documentation on this blog. I wanted to introduce the final results, all polished and pretty, of “Return to Hope” to you all, once it is completely finished. So far, I’m super pleased with how it’s coming together! If nothing else, it is sure to be visually compelling. And fear not, you won’t have to wait long for the premier of this film, because I need to have it ready for delivery by 2/2/2023. I’ll be publishing it on YouTube as soon as it is delivered to the college. Stay tuned, dear readers, soon you’ll have more to look at than just still images! I promise.